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Home > Art, Film & Photography > The Rise and Development of Opera; Embracing a Comparative View of the Art in Italy, Germany, France and England, Showing the Cause of the Falling Back of the English School in the Modern Period and the Compensation Which That Falling
The Rise and Development of Opera; Embracing a Comparative View of the Art in Italy, Germany, France and England, Showing the Cause of the Falling Back of the English School in the Modern Period and the Compensation Which That Falling

The Rise and Development of Opera; Embracing a Comparative View of the Art in Italy, Germany, France and England, Showing the Cause of the Falling Back of the English School in the Modern Period and the Compensation Which That Falling


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About the Book

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1912 edition. Excerpt: ...initiates or further opens out: one of these is that poetic expression by the orchestra of the spirit of a situation, which is such a beautiful feature in Gounod. In the concluding symphony of the "Benediction of the Poniards" in "Les Huguenots," for instance, what a strange anticipation do we not find of the closing strains of the scene of the death of Valentine in "Faust"! A similar, and perhaps more eloquent expression, by the orchestra occurs in the concluding symphony of "Ah mon fils!" in the "Prophet." That regular use of what is called the leit motiv which is such a prominent feature in modern composition--operatic and other--did not obtain with Meyerbeer's foregoers. Nevertheless, like all composers of decided genius from long before Bach and Handel, Meyerbeer seldom fails to mark the note of a character, scene or incident by an interpretative orchestral phrase wherever such special expression seems demanded. And he does this all the more easily and effectively in virtue of possessing that power of contrast which I have spoken of, as well as a remarkable faculty of assimilating various styles. The general difference between Wagner and all other composers is somewhat less in the case of Meyerbeer; and great as it still is even in his case there is much in spirit and effect that is common to these two. Both have a strong sympathy for large tone-scenes. Meyerbeer betrays it in his decided partiality for massive antiphonal, or answering, effect--as in his frequent use of two bands. Simple and obvious as this kind of effect is, it is somewhat curious that its use is characteristic of the greatest composers--witness Bach, Handel and Beethoven. The reason of its peculiar impressiveness...


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Product Details
  • ISBN-13: 9781130435795
  • Publisher: Rarebooksclub.com
  • Publisher Imprint: Rarebooksclub.com
  • Height: 246 mm
  • No of Pages: 36
  • Spine Width: 2 mm
  • Width: 189 mm
  • ISBN-10: 1130435792
  • Publisher Date: 13 Sep 2013
  • Binding: Paperback
  • Language: English
  • Returnable: N
  • Weight: 82 gr


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The Rise and Development of Opera; Embracing a Comparative View of the Art in Italy, Germany, France and England, Showing the Cause of the Falling Back of the English School in the Modern Period and the Compensation Which That Falling
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