The Elements of Plainsong; Compiled from a Series of Lectures Delivered Before the Members of the Plainsong & Mediaeval Music Society
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The Elements of Plainsong; Compiled from a Series of Lectures Delivered Before the Members of the Plainsong & Mediaeval Music Society

The Elements of Plainsong; Compiled from a Series of Lectures Delivered Before the Members of the Plainsong & Mediaeval Music Society


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This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1895 Excerpt: ...to do this in most cases without extreme violence to the text. Our English Kyrie has one unvarying farse, and we can therefore in adapting, so group the notes that the accents of the original unfarsed melody are preserved. Artistically it would be preferable to adapt the music to the simple Lord have mercy, but it is at least probable that our invariable farse goes as smoothly to the original melody as did the syllabic farses of the Middle Ages. We will now turn to the more ornate and variable portions of the Mass. It is often supposed that the Ambrosian Chant is all of the simple character of the Ambrosian Tones and Hymns. But this is incorrect, for the melodies in Ambrosian MSS. (see Brit. Mus. Add 34,209) show that even in the fourth century the Church used music as florid as any in the Gregorian Antiphonale, which no doubt incorporated many Ambrosian melodies. Of these a good example is the Office (or Introit) of the Mass for the Dead. According to the theorists it should be in the 6th mode, but as it never descends below the final--F--which is also the final of the 5th mode, there is no reason for this ascription except that the prevailing note is A, which is the dominant of the 6th mode. The insertion of the B puts it into the ordinary major scale which is really the old Greek Second or Lydian mode. Another instance of the transfer of an Ambrosian melody to the Gregorian Antiphonale is that which is used for the Gradual Justus ut palma and several others (p. (27)). In the Ambrosian Chant it is set to A summo ccelo on the 2nd Sunday in Advent, and to the same words as a Gregorian Gradual. It is attributed to the second mode transposed a fifth higher, and the final and dominant are therefore A and C--the transpositions of D and F--and the range of the m...


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Product Details
  • ISBN-13: 9781130387094
  • Publisher: Rarebooksclub.com
  • Publisher Imprint: Rarebooksclub.com
  • Height: 246 mm
  • No of Pages: 32
  • Spine Width: 2 mm
  • Width: 189 mm
  • ISBN-10: 1130387097
  • Publisher Date: 01 Mar 2012
  • Binding: Paperback
  • Language: English
  • Returnable: N
  • Weight: 77 gr


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The Elements of Plainsong; Compiled from a Series of Lectures Delivered Before the Members of the Plainsong & Mediaeval Music Society
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