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The Hand-Book of Taste; Or, How to Observe Works of Art, Especially Cartoons, Pictures, and Statues

The Hand-Book of Taste; Or, How to Observe Works of Art, Especially Cartoons, Pictures, and Statues


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About the Book

This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1843 Excerpt: ...upon, its details have next to be compressed into one focus, and represented under one point of sight, in such a manner that all the parts concur in the same end, forming by their mutual correspondence a whole, which shall be simple and single. This constitutes unity in composition. 10. Unity supposes a scope, a single subject, towards which every thing tends, and is directed. The action, interest, time, place, manners, and design, are all subject to the laws of unity. Any violation of these annoys the reason, and so diminishes the effect of a picture. In the Transfiguration, the unity of time and place is not preserved. A boy and dwarf quarrelling for the possession of a parroquet at the Last Supper, destroys the unity of interest and manners. 11. The action is the conflict of causes which tend to produce any given fact, and of the obstacles which oppose it. A battle is a single event, although composed of a multitude of objects and different actions. The principal action is the result of all the particular ones employed as episodes or as incidents Such a connection ought to exist between the principal action and the episodes, that no single piece can be removed without injuring or destroying the whole machinery. The simpler the action, the more beautiful and interesting it will be. Simplicity prevents confusion. Who can be distinguished in a crowd? 12. As no figure ought to be in violent contortion, neither ought any one to have its action terminated; for so it would become cold and deathlike. When the step, gesture, or motion of any kind is concluded, the imagination of the observer is bounded with it; but when the act has yet to be terminated, we imagine other movements, and thus the figure seems alive. 13. A composition may be copious in figures, yet b...


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Product Details
  • ISBN-13: 9781130219227
  • Publisher: Rarebooksclub.com
  • Publisher Imprint: Rarebooksclub.com
  • Height: 246 mm
  • No of Pages: 28
  • Spine Width: 2 mm
  • Width: 189 mm
  • ISBN-10: 1130219224
  • Publisher Date: 01 Mar 2012
  • Binding: Paperback
  • Language: English
  • Returnable: N
  • Weight: 68 gr

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The Hand-Book of Taste; Or, How to Observe Works of Art, Especially Cartoons, Pictures, and Statues
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