History of the Opera, from Its Origin in Italy to the Present Time Volume 1; With Anecdotes of the Most Celebrated Composers and Vocalists of Europe
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Home > History and Archaeology > History > History of the Opera, from Its Origin in Italy to the Present Time Volume 1; With Anecdotes of the Most Celebrated Composers and Vocalists of Europe
History of the Opera, from Its Origin in Italy to the Present Time Volume 1; With Anecdotes of the Most Celebrated Composers and Vocalists of Europe

History of the Opera, from Its Origin in Italy to the Present Time Volume 1; With Anecdotes of the Most Celebrated Composers and Vocalists of Europe


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This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1862 Excerpt: ...Porpora failed almost at the same time as Handel, and at the end of the year 1737, there was no Italian Opera at all in London. Handel joined Heidegger once more in 1738, at the King's Theatre. In two years he wrote four operas, of which the fourth, Deidamia, was the See a letter of Dr. Harrington's (referred to by Mr. Chappell), in the Monthly Magazine, Vol. XI., page 386. last he ever produced. After this he abandoned dramatic music, and, as a composer of Oratorios, entered upon what was to him a far higher career. Handel was at this time fifty-six years of age, and since his arrival in England, in 1711, he had written no less than thirty-five Italian operas. Handel's Italian operas, as such, are now quite obsolete. The air from Admeto is occasionally heard at a concert, and Handel is known to have introduced some of his operatic melodies into his Oratorios, but there is no chance of any one of his operas ever being reproduced in a complete form. They were never known out of England, and in this country were soon laid aside after their composer had fairly retired from theatrical management. I think Mr. Hogarth is only speaking with his usual judiciousness, when he observes, that "whatever pleasure they must have given to the audiences of that age, they would fail to do so now The music of the principal parts," he continues, "were written for a class of voices which no longer exists, f and for these parts no performers could now be found. A series of recitatives and airs, with only an occasional duet, and a concluding chorus of the slightest kind, would appear meagre and dull to ears "Memoirs of the Opera," VoL I., page 371. t The soprauists--a species of singers which ceased to be "formed" after Pope Clement XIY. sanction...


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Product Details
  • ISBN-13: 9781130018332
  • Publisher: Rarebooksclub.com
  • Publisher Imprint: Rarebooksclub.com
  • Height: 246 mm
  • No of Pages: 82
  • Spine Width: 4 mm
  • Width: 189 mm
  • ISBN-10: 1130018334
  • Publisher Date: 01 Mar 2012
  • Binding: Paperback
  • Language: English
  • Returnable: N
  • Weight: 163 gr

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History of the Opera, from Its Origin in Italy to the Present Time Volume 1; With Anecdotes of the Most Celebrated Composers and Vocalists of Europe
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