MUSEUM TRANSFORMATIONS DECOLONIZATION AND DEMOCRATIZATION
Edited By ANNIE E. COOMBES AND RUTH B. PHILLIPS
Museum Transformations: Decolonization and Democratization addresses contemporary approaches to decolonization, greater democratization, and revisionist narratives in museum exhibition and program development around the world. The text explores how museums of art, history, and ethnography responded to deconstructive critiques from activists and poststructuralist and postcolonial theorists, and provided models for change to other types of museums and heritage sites.
The volume's first set of essays discuss the role of the museum in the narration of difficult histories, and how altering the social attitudes and political structures that enable oppression requires the recognition of past histories of political and racial oppression and colonization in museums. Subsequent essays consider the museum's new roles in social action and discuss experimental projects that work to change power dynamics within institutions and leverage digital technology and new media.
Table of Contents:
List of Illustrations ix
Editors xiii
General Editors xiv
Contributors xv
Editors’ Preface to Museum Transformations and The International Handbooks of Museum Studies xvii
Introduction: Museums in Transformation: Dynamics of Democratization and Decolonization xxv
Annie E. Coombes and Ruth B. Phillips
Part I Difficult Histories 1
1. The Holocaust Memorial in Berlin and Its Information Center: Concepts, Controversies, Reactions 3
Sibylle Quack
2. Ghosts of Future Nations, or The Uses of the Holocaust Museum Paradigm in India 29
Kavita Singh
3. The International Difficult Histories Boom, the Democratization of History, and the National Museum of Australia 61
Bain Attwood
4. Where are the Children? and “We Were So Far Away …”: Exhibiting the Legacies of Residential Schools, Healing, and Reconciliation 85
Jonathan Dewar
5. Recirculating Images of the “Terrorist” in Postcolonial Museums: The Case of the National Museum of Struggle in Nicosia, Cyprus 113
Gabriel Koureas
6. Reactivating the Colonial Collection: Exhibition-Making as Creative Process at the Tropenmuseum, Amsterdam 133
Mary Bouquet
7. “Congo As It is?”: Curatorial Reflections on Using Spatial Urban History in the Memory of Congo: The Colonial Era Exhibition 157
Johan Lagae
8. Between the Archive and the Monument: Memory Museums in Postdictatorship Argentina and Chile 181
Jens Andermann
9. The Gender of Memory in Postapartheid South Africa: The Women’s Jail as Heritage Site 207
Annie E. Coombes
Part II Social Agency and the Museum 227
10. An Ethnography of Repatriation: Engagements with Erromango, Vanuatu 229
Lissant Bolton
11. Of Heritage and Hesitation: Reflections on the Melanesian Art Project at the British Museum 249
Nicholas Thomas
12. The Blackfoot Shirts Project: “Our Ancestors Have Come to Visit” 263
Alison K. Brown and Laura Peers
13. “Get to Know Your World”: An Interview with Jim Enote, Director of the A:shiwi A:wan Museum and Heritage Center in Zuni, New Mexico 289
Gwyneira Isaac
14. The Paro Manene Project: Exhibiting and Researching Photographic Histories in Western Kenya 311
Christopher Morton and Gilbert Oteyo
15. Reanimating Cultural Heritage: Digital Curatorship, Knowledge Networks, and Social Transformation in Sierra Leone 337
Paul Basu
16. On Not Looking: Economies of Visuality in Digital Museums 365
Kimberly Christen
17. Preserving the Physical Object in Changing Cultural Contexts 387
Miriam Clavir
Part III Museum Experiments 413
18. The Last Frontier: Migratory Culture, Video, and Exhibiting without Voyeurism 415
Mieke Bal
19. Public Art/Private Lives: The Making of Hotel Yeoville 439
Tegan Bristow, Terry Kurgan and Alexander Opper
20. Museums, Women, and the Web 471
Reesa Greenberg
21. Möbius Museology: Curating and Critiquing the Multiversity Galleries at the Museum of Anthropology at the University of British Columbia 489
Jennifer Kramer
22. When You Were Mine: (Re)Telling History at the National Museum of the American Indian 511
Paul Chaat Smith
23. Against the Edifice Complex: Vivan Sundaram’s History Project and the Colonial Museum in India 527
Saloni Mathur
24. Can National Museums be Postcolonial?: The Canadian Museum for Human Rights and the Obligation of Redress to First Nations 545
Ruth B. Phillips
Index 575
About the Author :
ANNIE E. COOMBES is Professor of Material and Visual Culture at Birkbeck, University of London, UK, where she teaches museum studies and art and cultural history. She is Director of the Peltz Gallery and author of award-winning books on museums, memorialization, and the legacy of colonialism.
RUTH B. PHILLIPS is Canada Research Professor of Art History at Carleton University, Ottawa, Canada. She has served as director of the University of British Columbia Museum of Anthropology and teaches and publishes on Indigenous North American art and critical museology.
