About the Book
Doing Digital Migration present a comprehensive entry point to the variety of theoretical debates, methodological interventions, political discussions and ethical debates around migrant forms of belonging as articulated through digital practices.,Digital technologies impact upon everyday migrant lives, while vice versa migrants play a key role in technological developments, be it when negotiating the communicative affordances of platforms and devices, as consumers of particular commercial services such as sending remittances, as platform gig workers or test cases for new advanced surveillance technologies. With its international scope, this anthology invites scholars to pluralize understandings of 'the migrant' and 'the digital'. The anthology is organized in five different sections: Creative Practices; Digital Diasporas and Placemaking; Affect and Belonging; Visuality and digital media and Datafication, Infrastructuring, and Securitization. These sections are dedicated to emerging key topics and debates in digital migration studies, and sections are each introduced by international experts. I. The emphasis on reflective ‘doing’ of digital migration studies. So far scholarship in this interdisciplinary focus area has remained relatively silent on the topic of accountability and questions of decision making in the research process. II. The truly transdisciplinary and international scope of the volume distinguishes this volume from the disciplinary oriented special issues and monographs published in the field of media and communication, anthropology, migration studies and refugee studies. Digital migration creates new challenges for cross-disciplinary dialogues that require an integration of ethnography with digital methods and critical data studies in order to look at the formation of identity and experience, representation, community building, and creating spaces of belongingness. III. The innovative emphasis on everyday lived experiences and practices sheds much needed light on the ways in which increasingly documented infrastructures of datafication and digitization are lived, negotiated and contested. For this purpose, the volume pays particular attention to the everyday use of digital media for the support of transnational lives, emotional bonds and cosmopolitan affiliations, focusing also on the role technologies such as social media and smartphones play in shaping local/urban and national diasporic formations. This is because it becomes increasingly important to give everyday digital media usage a central role in investigations of transnational belonging, digital intimacy, diasporic community (re)production, migrant subject formation, long-distance political participation, urban social integration and local/national self-organization.
Table of Contents:
List of Figures and Tables, Acknowledgements, Doing Digital Migration Studies: Introduction, Section I Creative practices, Section II Digital Diasporas and Placemaking, Section III Affect and Belonging, Section IV Visuality and Digital Media, Section V Datafication, Infrastructuring and Securitization, Section VI Conclusions, Index
About the Author :
Koen Leurs is Associate Professor of Gender, Media and Migration Studies at the Graduate Gender Programme of the Department of Media and Culture at Utrecht University, the Netherlands. Leurs was the principal investigator of the Team Science project Co-Designing a Fair Digital Asylum System, funded by the Universities of the Netherlands Digital Society program and COMMIT, a public-private ICT research community (2022–2023). He chairs the Utrecht University-wide Digital Migration Special Interest Group, part of the Governing the Digital Society focus area. He previously co-edited The Sage Handbook of Media and Migration (Sage, 2020) and the special issues (Im)mobile Entanglements (International Journal of Cultural Studies, 2023) and Inclusive Media Education for Diverse Societies (Media & Communication, 2022). His latest book is Digital Migration (Sage, 2023). For more information, see https://www.uu.nl/staff/KHALeurs. Sandra Ponzanesi is Professor of Media, Gender and Postcolonial Studies at the Department of Media and Culture Studies, Utrecht University, Netherlands. She has published widely in the fields of media, postcolonial studies, digital migration and postcolonial cinema with a particular focus on postcolonial Europe from comparative and interdisciplinary perspectives. She is currently PI of the NWO Project VREM “Virtual Reality as Empathy Machine: Media, Migration and the Humanitarian Predicament”. Among her publications are: Paradoxes of Postcolonial Culture (Suny, 2004), The Postcolonial Cultural Industry (Palgrave, 2014) and Gender, Globalisation and Violence (Routledge, 2014). She has co-edited among other Postcolonial Cinema Studies (Routledge, 2012), Postcolonial Transitions in Europe (Rowman and Littlefield, 2016), Postcolonial Intellectuals in Europe (Rowman and Littlefield, 2018) and Postcolonial Publics: Art and Citizen Media in Europe (Edizioni Ca’ Foscari, 2023). More info: https://www.uu.nl/staff/SPonzanesi
