Why does Johan Vilde testify about Sweden’s involvement in the transatlantic slave trade? Why do the young Stockholm sons, Stefan and Sacho, in Mystiska 2:an discuss class society and commercialism on their way back home from school? And why does the Phantom start a co-operative society in the jungle and act as a mouthpiece for Prime Minister Olof Palme? And in reverse: why is it almost impossible to imagine Spider-Man, Tintin, or Archie ruminating about trade union issues, gender equality on the labour market, or taking a stand against the apartheid regimes in Southern Africa?
New Left Comics examines the leftist radicalisation in Sweden during the decade immediately succeeding 1968 through the lens of comic books. It looks at four of the most popular and widely read comic books and graphic novels—Johan Vilde, Tumac, Mystiska 2:an, and The Phantom—between 1968 and 1980, and uncovers the ways in which writers and artists used mainstream comics as a medium to teach and inform readers about various forms of injustices and inequality—as well as utopian futures—by adding social, political, and economic comments.
This topical and engaging volume in the Global Perspectives in Comics Studies series will be of interest to researchers and students of comics studies, literary studies, visual art studies, cultural studies, media studies, and sociology. It will also be useful reading for a wider academic audience interested in discourses around world politics, politics and media, politics and popular culture, and comics traditions.
Table of Contents:
Lists of figures. Preface. Acknowledgement. 1. Introduction 2. The Phantom and Foreign Aid 3. Johan Vilde and Colourblind Anti-racism 4. Tumac and the Revolution 5. Mystiska 2:an and the Underside of the Welfare state 6. Conclusion. References. Index.
About the Author :
Robert Aman is Senior Associate Professor at Linköping University, Sweden. He has previously been a lecturer at the University of Glasgow and is a former Visiting Fellow at several institutions, including Duke University, the University of Oxford, Sciences Po Paris, and Ghent University. Aman is the author of many books and research articles, including two award-winning monographs—Serier för vuxna: Epix och den svenska serierevolutionen (Lystring) and När Fantomen blev svensk: vänsterns världsbild i trikå (Daidalos). More information can be found on his homepage: http://www.robertaman.se
Review :
'Robert Aman’s eye-opening monograph New Left Comics documents a peculiar chapter of Sweden’s 1970s cultural history—best-selling left-wing comics series whose mass appeal was rooted in the country’s post-1968 ideological mainstreaming of social justice and Third-Worldism.'
- Jean-Paul Gabilliet, Professor of Comics History, University of Bordeaux Montaigne
