Migrants, Television and Australian Stories: A New History

This book examines the intertwined histories of television and migration in Australia, told from the perspectives of migrants who worked in the screen industry and the many more who watched television. Their stories demonstrate how Australia’s growing cultural diversity has challenged conventional representations of ‘Australianness’ on television, and how ongoing advocacy has supported the growing inclusivity of multiple narratives and diverse experiences on screen. Migrants from many backgrounds were instrumental in the establishment in 1956 of Australian television, working behind and in front of the cameras as producers, directors, writers, technicians and actors. From early broadcasting to the digital present, portrayals of cultural differences have often been shaped by appropriation, ethnic stereotyping and racism. This has occurred across a range of formats from drama to comedy to news and reality shows. Many in the industry have responded with resilience and creative adaptation, as they have increasingly taken control of the ways that migrant stories are told and diversity is celebrated. The first comprehensive Australian study of migrants and television, this book considers the ways multicultural audiences have experienced the small screen over seven decades. Drawing on rich oral histories, it analyses the memories of television in the work, school, family life and leisure of migrant communities and their broader engagements with Australian culture. Research in the archives of broadcasters and production companies reveals how non-Anglo Australian characters were constructed, and how such portrayals have shifted. This new history takes us to digital screen production and consumption today, exploring how Australians of many diasporas engage with the global network of screen content in the twenty-first century. It is essential reading for media professionals, advocates, students and those interested in the intersections between media, cultural diversity and the nation.

Table of Contents:
1. Migration, television and Australian stories 2. Watching Australian television: ‘It’s just a bunch of white people’ 3. Representing diversity on Australian television 4. Migrants at work in Australian television 5. Writing migrant stories 6. Diverse identities on screen: Performers, actors and presenters 7. Migrants producing for diversity: From entrepreneurs to web producers 8. New ways of watching: Technology, screens and global media. Epilogue ‘But wait, there’s more!’: Looking ahead

About the Author :
Kate Darian-Smith is a Professorial Fellow at the University of Melbourne and President of the Academy of Social Sciences in Australia. A historian and interdisciplinary scholar, Kate has published widely on the histories of social and cultural change in Australia, including in the areas of migration, media, children, memory studies, oral history and cultural heritage. Sue Turnbull is a Senior Professor of Communication and Media at the University of Wollongong. She has published extensively on media audiences and television and her most recent book with Marion McCutcheon is Transnational TV Crime: From the Nordic to the Outback (Edinburgh University Press, 2024). Sukhmani Khorana is a Scientia Associate Professor in the School of Arts and Media at UNSW. She is the external co-lead of the Migration, Im/mobility and Belonging research theme at Sydney Centre for Healthy Societies, University of Sydney. Sukhmani has published extensively on media diversity, mediated emotions and refugee narratives. Kyle Harvey is a historian based in Melbourne. His research explores culture, media and social change in Australia and the United States, and he has published widely on television history, migration, social movements and radical thought. Kyle is the author of American Anti-Nuclear Activism, 1975-1990 (Palgrave Macmillan, 2014).

Review :
“An invaluable and insightful examination of how far we’ve come in showcasing our stories and communities, and a reminder of how far we’ve yet to go.” -Benjamin Law, writer and broadcaster “A pioneering study of the parallel stories of media and migration in modern Australia. Drawing on rich oral histories and archives across the country, this book tells a new history of television viewing, production, employment and representation. It is essential reading for all interested in Australian media and creative industries, and migration and diasporic studies.” -Professor Bridget Griffen-Foley FAHA, Macquarie University “There have been studies of the representation of migrants in Australian television before, but this important book takes us well beyond them. In its examination of how migrants participate in the consumption, production, circulation and cultural influence of Australian stories on television, the authors have provided us with much needed new perspectives from which to investigate the intersection of migration, television, identity and belonging within the cultures of everyday life.” Emeritus Professor Graeme Turner AO FAHA FQA, University of Queensland