Avant-Garde on Record
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Home > Art, Film & Photography > Music > Music: styles and genres > Art music, orchestral and formal music > Avant-Garde on Record: Musical Responses to Stereos(Music since 1900)
Avant-Garde on Record: Musical Responses to Stereos(Music since 1900)

Avant-Garde on Record: Musical Responses to Stereos(Music since 1900)


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About the Book

An innovative contribution to music history, cultural studies, and sound studies, Avant-garde on Record revisits post-war composers and their technologically oriented brand of musical modernism. It describes how a broad range of figures (including Pierre Boulez, Karlheinz Stockhausen, Henri Pousseur, Toshirō Mayuzumi, Claire Schapira, Anthony Braxton and Gunther Schuller) engaged with avant-garde aesthetics while responding to a rapidly changing, technologically fuelled, spatialized audio culture. Jonathan Goldman focuses on how contemporary listeners understood these composers' works in the golden age of LPs and explores how this reception was mediated through consumer-oriented sound technology that formed a prism through which listeners processed the 'music of their time'. His account reveals unexpected aspects of twentieth-century audio culture: from sonic ping-pong to son et lumière shows, from Venetian choral music by Stravinsky to the soundscape of Niagara Falls, from a Buddhist Cantata to an LP box set cast as a parlour game.

Table of Contents:
1. Introduction; 2. Ping-pong and its discontents; 3. Doubles, rhymes and groups in stereo; 4. Transnational multiorchestralism; 5. The monumental stereo of son et lumière; 6. Phonographic spaces: circling San Marco, navigating Niagara; 7. Open works locked into grooves.

About the Author :
Jonathan Goldman is Professor of Musicology at the Faculty of Music of the Université de Montréal. His research focuses on modernist/avant-garde music in a regional perspective. His publications include an Opus Prize-winning monograph, The Musical Language of Pierre Boulez (Cambridge, 2011), and four edited volumes.

Review :
'Carefully researched, intelligently handled, and enjoyable-to-read … an invaluable contribution to research on postwar modernism'. Eric Drott, University of Texas at Austin


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Product Details
  • ISBN-13: 9781009363396
  • Publisher: Cambridge University Press
  • Publisher Imprint: Cambridge University Press
  • Height: 250 mm
  • No of Pages: 320
  • Returnable: N
  • Series Title: Music since 1900
  • Sub Title: Musical Responses to Stereos
  • Width: 175 mm
  • ISBN-10: 1009363395
  • Publisher Date: 09 Nov 2023
  • Binding: Hardback
  • Language: English
  • Returnable: N
  • Returnable: N
  • Spine Width: 23 mm
  • Weight: 750 gr


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