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Home > Art, Film & Photography > Performing arts > Films, cinema > Film history, theory or criticism > Soviet Cinematography, 1918-1991: Ideological Conflict and Social Reality(Communication & Social Order)
Soviet Cinematography, 1918-1991: Ideological Conflict and Social Reality(Communication & Social Order)

Soviet Cinematography, 1918-1991: Ideological Conflict and Social Reality(Communication & Social Order)


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About the Book

With a historical sweep that recent events have made definitive, the authors examine the influence of Soviet ideology on the presentation of social reality in films produced in the Soviet Union between the October Revolution and the final days of glasnost. Within the framework of an introduction that lays out the conceptual terminology used to describe that shifting ideological landscape, the authors analyze both the social groups appearing in the films and the relations of film directors and other film makers to state censorship and ideological control.

Table of Contents:
Preface Acknowledgments PART I Theoretical and Historical Introduction 1. Social Reality and Ideology in Interaction 2. State, Ideology, and Film in Soviet History PART II Soviet Movies in the Revolutionary Period (1918-1928): Cordial Acceptance of Official Ideology 3. Soviet Movies in the Aftermath of the October Revolution: The Civil War 4. The Partial Restoration of Capitalism (1921-1929) PART III Movies During Stalin's Time: Total Submission to the Official Ideology 5. Stalin and Soviet Movies 6. Industrialization and Collectivization (1929-1934) 7. Time of Mass Terror (1934-1941) 8. The Great Patriotic War 9. Stalin's Postwar Years PART IV The Game with Official Ideology 10. Movies during the First Thaw (1954-1968): Timid Challenges to Official Ideology 11. Movies in the Period of Conservatism (1968-1985): The Use of Diversified Official Ideology for Social Critique PARTV Soviet Cinematographers Reject Official Ideology: Cinema during the Last Years of the Soviet Empire 12. The First Years of Freedom: The Beginning of the Offensive against Official Ideology 13. Movie Heroes 1986-1989 14. Total Freedom from Totalitarianism and Its Ideology 15. Russian Movies After the Fall of the Empire References Illustrations Filmography Director List Index

About the Author :
Dmitry Shlapentokh, Professor of History, Indiana University, South Bend, received his Ph.D. from the University of Chicago, and his Master's degrees in History from Moscow University and Michigan State University. The author of several articles on various issues in modem Russian history, Dr. Shlapentokh is also a writer of short stories and poetry in Russian. Vladimir Shlapentokh, Professor of Sociology, Michigan State University. He is the author of numerous books, professional articles, and newspaper columns on Soviet issues.


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Product Details
  • ISBN-13: 9781000663488
  • Publisher: Taylor & Francis Ltd
  • Publisher Imprint: Routledge
  • Language: English
  • Sub Title: Ideological Conflict and Social Reality
  • ISBN-10: 1000663485
  • Publisher Date: 24 Dec 2021
  • Binding: Digital (delivered electronically)
  • Series Title: Communication & Social Order


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