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Home > Art, Film & Photography > Art treatments & subjects > Individual artists, art monographs > Return to Calgary: Charles M. Russell and the 1919 Victory Stampede
Return to Calgary: Charles M. Russell and the 1919 Victory Stampede

Return to Calgary: Charles M. Russell and the 1919 Victory Stampede


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About the Book

From his days spent on the open range of Montana, Russell was drawn to depicting the life and history of the American West. In 1912 and again in 1919, the charismatic Wild West showman and rodeo promoter Guy Weadick sought out Russell as a major exhibitor and headliner to help promote the fledgling ""Stampede"" rodeo in Calgary, Alberta. The weeklong run of events and exhibits was designed to commemorate the values and people of the Old West, then rapidly changing from a way of life in North America to the stuff of memory, legend, and sport. By celebrating old-timers, pioneers, ranching, cowboying, and indigenous traditions, the Stampede delivered the ""West that had passed"" - a theme central to Russell's work as an artist - to popular audiences across Canada. The special 1919 Calgary event was branded the Victory Stampede in honor of the troops returning home from the Great War overseas and in celebration of the signing of the Treaty of Versailles. Return to Calgary: Charles M. Russell and the 1919 Victory Stampede richly illustrates all twenty-four paintings and eight bronzes included in the historic 1919 special exhibition of Russell's work at Victoria Park in Calgary.

About the Author :
Brian W. Dippie is retired as Professor of History at the University of Victoria, British Columbia. The leading authority on Russell, he is the author of numerous books and articles on the history and art of the American West, including The Vanishing American: White Attitudes and U.S. Indian Policy and Charles M. Russell: Word Painter. Karen B. McWhorter is the Scarlett Curator of Western American Art for the Whitney Western Art Museum at the Buffalo Bill Center of the West. She has contributed essays to Elevating Western American Art: Developing an Institute in the Cultural Capital of the Rockies (2012), A Place in the Sun: The Southwest Paintings of Walter Ufer & E. Martin Hennings (2015), Fur Traders and Rendezvous: The Alfred Jacob Miller Online Catalogue, and Invisible Boundaries: Exploring Yellowstone's Great Animal Migrations (2016), and has authored numerous articles on contemporary western American art. Thomas A. Petrie, CFA, is Chairman of Petrie Partners, LLC, in Denver. He formerly served as Vice Chairman of Bank of America/Merrill Lynch and was Vice Chairman of Merrill Lynch until its acquisition by Bank of America in 2009. Petrie co-founded Petrie Parkman & Co., a Denver- and Houston-based energy investment banking firm that merged with Merrill Lynch in 2006. Petrie graduated from the U.S. Military Academy at West Point and earned an MSBA (Finance) from Boston University. The Colorado School of Mines bestowed on him an honorary doctorate of engineering.


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Product Details
  • ISBN-13: 9780974270234
  • Publisher: Charles M. Russell Museum
  • Publisher Imprint: Charles M. Russell Museum
  • Height: 229 mm
  • No of Pages: 144
  • Sub Title: Charles M. Russell and the 1919 Victory Stampede
  • ISBN-10: 0974270237
  • Publisher Date: 30 Jul 2019
  • Binding: Paperback
  • Language: English
  • Returnable: N
  • Width: 305 mm


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