Rue Du Regard

Todd Swift is one of Canadais leading younger expatriate writers. Elegant, moving, and masterful, Rue du Regard forms the final part of a trilogy, following the acclaimed Budavox and Cafe Alibi. Written in Paris and London between 2001 and 2004, Rue du Regard crosses the channel between these two great cities and between two kinds of poetry: experimental and mainstream. The book deals with looking: in, out, back, and ahead. In almost whiplash motion, certain moods, themes, and images from Swiftis earlier collections here snap forward, double-back. The universal accidents of travel and memory, love and desire, violence and innocence, are central. Critical Comment iIn this collection, Todd Swift n always engagingly readable n extends his ambitious and dazzling range of skills and styles. i o Roddy Lumsden, author of Mischief Night: New and Selected Poems iTodd Swift has a remarkably capacious imagination.i nMontreal Review of Books, 2004 iSwift perfects the irreverence of his humour.i nHour iWe are lucky to have him overseas contributing to this impressive catalogue of written work.... Finally and most tellingly, Swift asks in A Good Person in Snow: eIs it wrong to hold ever tighter as you disappear?i The answer is no. Swift writes as if he is about to emerge from the blizzard and tell everyone how he did it. A shape shifter with a heart for Canada. Swift is one to recall, savour, and watch.i nThe Globe and Mail, March 2005 iOne of Swiftis endearing qualities is that he pays as much attention to the small people in his life, as he does to his mentors and great artists.... Swiftes best poems are restrained, tight-lipped and tempered, yet full of sombre and subtle allusion.i nBooks in Canada, Feb. 2005 iInfused with pop culture, Western Europe ... the poems move with their energetic author. Blog-worthy... i nThis Magazine, Jan-Feb 2005 iMusicality hardly begins to describe this rather colossal collection.... i o Vallum, Fall-Winter 2005 i[Rue du Regard] is a carefully wrought package... There is some clever wordsmithing going on in these pages... linguistic panache.... Swift is talented.in Montreal Gazette, Jan. 2005 iTodd Swift might be thought of as a cosmopolitan, ... savvy, well read, travelled poet ... a promising poet whose work is entertaining, ingenious, humorous and likeable....i nPoetry London, No. 50, Spring 2005 i[Swiftis] poems cry out for a much wider audience. And if the next big Bloodaxe anthology doesnit contain at least a couple of them, it will be a poorer book for their absence.In Rue du Regard, his third full collection, Swift's work continues to mature. ... In eTo My Wife Of Ninety Daysi Swift shows that he is one of those rare poets who can almost always write unsentimentally about love. Swift is still a million miles from becoming one of those worthy-but-dull middle-aged male poets of which the poetry world sometimes seems to be full. The hilarious satire, eNote To The Editori, is a poem Iim jealous I didnit write myself. ... The beautifully achieved eCinema Du Looki is the sort of voyeuristic poem, which, in hands of a lesser poet than Swift, could easily have turned out vulgar. Where others would be po-faced and over-earnest, Swiftis poems are disciplined by irony; where most would lapse into crudity he somehow manages to be lyrical. These are hugely important talents for a contemporary poet. But perhaps as important is the stark emotional honesty displayed in eBallad Of The Solitary Dineri, a description of the occasional loneliness of a life lived on the cusp of so many cultures.i nKevin Higgins, The Dublin Quarterly, #3, 2005