About the Book
"On our way home, we stopped in Vegreville for one last look at the Pysanka-and, posing in front of it while my dad pulled out his camera, I wanted to cry. Are we doomed? Click. Is this all we are? Click. How do we drag ourselves out from under the shadow of the giant egg? Click." Conceived in a fervent desire for fresher, sexier images of Ukrainian culture in Canada, and concluding with a new reading of enduring cultural stereotypes, Leaving Shadows is the first Canadian book-length monograph on English Ukrainian writing, with substantive analysis of the writing of Myrna Kostash, Andrew Suknaski, George Ryga, Janice Kulyk Keefer, Vera Lysenko, and Maara Haas.
Table of Contents:
Ukrainian Canadians: A Study in Assimilation; "Digesting" the "Foreign Mass": Ukrainian Canadians in Three Anglo-Canadian Novels; Re-reading the Female Ethnic Subject: Vera Lysenko's Yellow Boots; Ethnic Revival versus Historical Revision: Ukrainian Canadians and Multiculturalism; "We aren't buying black oxfords": The Ambivalent Politics of Hybridity in Maara Haas's The Street Where I Live; "We laugh, but we are sad": Oral History in George Ryga's A Letter to My Son; "Easter bread and clouds": The Poetry of Andrew Suknaski; From Multiculturalism to Transculturalism: Shifting Paradigms in the Search for Identity; From Canada to Ukraine-and Back: Janice Kulyk Keefer's The Green Library and Honey and Ashes; Between Borders, Beyond Bloodlines: Myrna Kostash's Creative Non-fiction; Monumental Culture and the Future of Ukrainian Canadian Literature; Index.
About the Author :
Originally from St Paul, Alberta, Lisa Grekul lives in Vancouver and teaches Canadian literature at the University of British Columbia. Her novel Kalyna's Song (2003) was shortlisted for the Amazon.ca/Books in Canada Best First Book Award.
Review :
"Grekul does a close reading of Bloodlines and The Doomed Bridegroom, by Myrna Kostash a self-proclaimed second-generation Ukrainian Canadian, feminist, writer, alumna of the 1960s, who was confronted by Eastern European gender roles..Grekul draws comparisons between Kostash's perspective and that of Kulyk Keefer, (in The Green Library and Honey and Ashes: A Story of a Family), 'the inherent gaps' between history and historiography, that is, historical realities and representations of these realities." Anne Burke, Prairie Journal Trust, February, 2006.
"This is a wonderful collection of essays by a Ukrainian Canadian about the impact on Canadian culture by the infusion of Ukrainians, as felt both by them and by us..A fascinating introduction to writers of Ukrainian background." Ron MacIsaac, The Lower Island NEWS, April 2006.
"Through a sweeping survey of under-read and under-appreciated literary works, Grekul methodically lays out her case for the value of Ukrainian-Canadian writing in English. Grekul embarks on a chronological discovery of what she considers to be the best, most informative, and above all most culturally important works from Ukrainian-Canadian authors since 1900. Grekul's obvious strength throughout is the quality of her narrative voice and the organization of her thoughts, something oft-forgotten in 20th- and 21st-century criticism. It is clear that the process of writing Kalyna's Song, Grekul's first novel and nominee for the Books in Canada/Amazon First Novel Award, developed a well-defined and pleasant writing style that has transferred over to her critical work." Ryan Jones, Prairie Fire Review of Books, www.prairiefire.ca/reviews/grekul_literature.html"
"Grekul's account offers a kind of synthetic treatment that has rarely been provided. She focuses on Lysenko, Maara Haas, George Ryga, Andrew Suknaski, Janice Kulyk Keefer, and Myrna Kostash, but also contextualizes their writings by providing a chapter on the first Anglo-Canadian novels dealing with Ukrainians..The discussion of issues like multiculturalism and contemporary return-to-the-homeland writing is nuanced and bold, and offers new approaches and methods of analysis.. Unfortunately, argues the author, the heavy focus on race in recent discussions around multiculturalism and diversity has obscured the substantial contributions that other ethnic minority writers have made to the issues of assimilation, multiculturalism, and transculturalism; the intersection of ethnicity, class, gender, and sexuality; and nationalism, transnationalism, and diaspora. Sensitively written (even when it is iconoclastic in its readings of individual authors), the book provides an excellent historical overview of the Ukrainian-Canadian experience. It should be considered essential reading for anyone dealing with the subject, and can profitably be used as a text for a number of courses, particularly those dealing with ethnicity, national identity, and Canadian literature." Myroslav Shkandrij, Canadian Book Review Annual 2007
