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Home > Art, Film & Photography > Art treatments & subjects > History of art > Uncommon Grounds: New Media and Critical Practices in North Africa and the Middle East(Ibraaz Series)
Uncommon Grounds: New Media and Critical Practices in North Africa and the Middle East(Ibraaz Series)

Uncommon Grounds: New Media and Critical Practices in North Africa and the Middle East(Ibraaz Series)


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About the Book

In this groundbreaking book, a range of internationally renowned and emerging academics, writers, artists, curators, activists and filmmakers critically reflect on the ways in which visual culture has appropriated and developed new media across North Africa and the Middle East. Examining the opportunities presented by the real-time generation of new, relatively unregulated content online, Uncommon Grounds evaluates the prominent role that new media has come to play in artistic practices - and social movements - in the Arab world today. Analysing alternative forms of creating, broadcasting, publishing, distributing and consuming digital images, this book also enquires into a broader global concern: does new media offer a 'democratisation' of - and a productive engagement with - visual culture, or merely capitalise upon the effect of immediacy at the expense of depth?Featuring full-colour artists' inserts, this is the first book to extensively explore the degree to which the grassroots popularity of Twitter and Facebook has been co-opted into mainstream media, institutional and curatorial characterisations of 'revolution' - and whether artists should be wary of perpetuating the rhetoric and spectacle surrounding political events. In the process, Uncommon Grounds reveals how contemporary art practices actively negotiate present-day notions of community-based activism, artistic agency and political engagement.

Table of Contents:
Anthony Downey Introduction Philip Rizk 2011 is not 1968: An open letter to an onlooker Franco Berardi The Paradox of Media Activism: The Net is not a Tool, It's an Environment Anthony Downey For the Common Good: Artistic Practices and Civil Society in Tunisia. Jens Maier-Rothe, Dina Kafafi, Azin Feizabadi Citizens Reporting and the Fabrication of Collective Memory Derya Yucel Art's Networks: A New Communal Model Dina Matar A critical reflection on aesthetics and politics in the digital age Nat Muller Performing the Undead: Life and Death in Social Media and Contemporary Art Sheyma Buali Digital, Aesthetic, Ephemeral: A brief look at image and narrative Omar Kholeif Re-Examining The Social Impulse: Politics, Media and Art after the Arab Uprisings Maymanah Farhat New Media and the Spectacle of the War on Terror Laura U. Marks Arab Glitch Maxa Zoller Potential Media The appropriation of images commercial media and activist practices in Egypt today Nermin Sayba??l? The Magnetic Remenances: Voice and Sound in Digital Art and Media Edit Molnar and Aleya Hamza When the Going Gets Tough… Tarek Khoury The Art of the Written Word + New Media Dissemination: Across the Borders between Syria and Lebanon Mahmoud Abu Hashhash Farther Than Language Can Reach Walter Mignolo Re:emerging, Decentring, Delinking: Shifting the Geographies of Sensing, Believing and Knowing Amal Khalaf The Many Afterlives of Lulu Timo Kaabi-Linke On Revolution and Rubbish: What has Changed in Tunisia since Spring 2011 Annabelle Sreberny Cardboard Khomeini – An Interrogation Gulf Labor Saadiyat and the Gulf Labor Boycott ARTIST PROJECTS Tarzan and Arab: GAZAWOOD Ganzeer: POSTER DESIGNS Sophia Al-Maria: CHEWING THE DATA FAT Sarah Abu Abdallah: SAUDI AUTOMOBILE Faycal Bahgriche: FAMILY FRIENDLY Jananne Al-Ani: SHADOW SITES Mosireen: REVOLUTION TRIPTYCH Mariam Ghani: Notes from the Archive (IMAGES)

About the Author :
Anthony Downey is an academic and writer. He is the author of Art and Politics Now (Thames and Hudson, 2014), and editor of Uncommon Grounds: New Media and Critical Practice in North Africa and the Middle East (I.B. Tauris, 2014). Recent and forthcoming publications include The Future of a Promise: Contemporary Art from the Arab World (Ibraaz Publishing, 2011); Dissonant Archives: Knowledge Production and Art Practices in the Middle East (forthcoming, I.B. Tauris, 2015); and Mirrors for Princes (NYU Press, forthcoming 2015). He is the Director of the Contemporary Art Masters Programme at Sothebys Institute of Art, London, and the Editor in Chief of Ibraaz (www.ibraaz.org), a research forum on visual culture across the Middle East and North Africa.


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Product Details
  • ISBN-13: 9780857735935
  • Publisher: Bloomsbury Publishing PLC
  • Publisher Imprint: I.B. Tauris
  • Edition: Digital original
  • No of Pages: 296
  • Sub Title: New Media and Critical Practices in North Africa and the Middle East
  • ISBN-10: 0857735934
  • Publisher Date: 30 Sep 2014
  • Binding: Digital (delivered electronically)
  • Language: English
  • Series Title: Ibraaz Series


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