The Archive
Book 1
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Book 1
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Book 1
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Book 1
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Home > Art, Film & Photography > The arts: general issues > Theory of art > The Archive: (Documents of Contemporary Art)
The Archive: (Documents of Contemporary Art)

The Archive: (Documents of Contemporary Art)


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About the Book

Part of the acclaimed 'Documents of Contemporary Art' series of anthologies. This anthology explores ways in which the archive has become central in visual culture’s investigations of history, memory, testimony and identity. Surveying the full diversity of our transformed theoretical and critical notions of the archive, as both idea and as physical presence, this publication includes writings by Sigmund Freud, Michel Foucault, Hal Foster and many others, and essays on the archival practice of such artists as Gerhard Richter, Susan Hiller, Ilya Kabakov, Christian Boltanski, Renée Green and The Atlas Group.

Table of Contents:
Introduction; Traces; Inscriptions; Contestations; Retracings; Biographical Notes; Bibliography; Index; Acknowledgements.

About the Author :
Charles Merewether is an art historian and writer on post-war and contemporary art. He has taught at universities in Mexico, Australia, Europe and North America. From 1994 to 2004 he was Collections Curator at the Getty Research Institute, Los Angeles. He was Artistic Director and Curator for the 2006 Sydney Biennale.

Review :
"Contemporary art constantly requires the construction of new lineages, new histories, to render it critically intelligible. The idea of the archive is currently at the centre of such activities. This anthology offers an illuminating mix of texts, interlacing analysis with artists' writings ... and a useful antidote to sentimentalizations of the past." - Peter Osborne, Director of the Centre for Research in Modern European Philosophy, Middlesex University, and editor of 'Conceptual Art' "The Archive is a collection of pivotal essays on the role of archives in modern art and history... The book's playful design employs pull quotes resembling children's lettering, street-art manifestos or eye exams. One such is from Walter Benjamin's essay: 'A Short History of Photography,' showing the inspirational potential of archival material: 'Utrillo painted his fascinating views of Paris not from life but from picture postcards.'" - Susan Salter Reynolds, Los Angeles Times


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Product Details
  • ISBN-13: 9780854881482
  • Publisher: Whitechapel Gallery
  • Publisher Imprint: Whitechapel Gallery
  • Height: 210 mm
  • No of Pages: 240
  • Weight: 490 gr
  • ISBN-10: 0854881484
  • Publisher Date: 01 Oct 2006
  • Binding: Paperback
  • Language: English
  • Series Title: Documents of Contemporary Art
  • Width: 148 mm


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