About the Book
Only the Nails Remain: Scenes from the Balkan Wars is a chronicle of poet and critic Christopher Merrill's ten war-time journeys to the Balkans from the years 1992 through 1996. At once a travelogue, a book of war reportage, and a biography of the imagination under siege, this beautifully written and personal narrative takes the reader along on the author's journeys to all the provinces and republics of the former Yugoslavia—Bosnia-Herzegovina, Croatia, Kosovo, Macedonia, Montenegro, Serbia, Slovenia, and Vojvodina—as well as to Albania, Austria, Bulgaria, Greece, Hungary, Italy, and Turkey. His journeys provide the narrative structure for an exploration of the roles and responsibility of intellectuals caught up in a decisive historical moment, many of whom either helped to incite the war or else bore eloquent witness to its carnage. What separates this book-the first non-native literary work on the conflict-from other collections of reportage, political analysis, and polemic, is its concern for capturing the texture of particular places in the midst of dramatic change-the sounds and sights and smells, the stories and observations of victim and perpetrator alike, the culture of war. Here is a literary meditation on war, a fascinating portrait of the poetry, politics and the people of the Balkans that will provide insight into the past, present, and future of those war-torn lands.
Hear an interview with the author on NPR's Weekend All Things Considered, February 20th, "Balkan Poets."
Table of Contents:
Part 1 August-September 1992
Chapter 2 Journey
Chapter 3 Pohorje
Chapter 4 Ljubljana I
Chapter 5 Triglav
Chapter 6 Ljubljana II
Chapter 7 Venice
Chapter 8 Vilenica
Part 9 December 1992-February 1993
Chapter 10 Croatia
Chapter 11 Dalmatia
Chapter 12 Serbia
Chapter 13 Montenegro
Chapter 14 Macedonia
Chapter 15 Kosovo
Chapter 16 Flight
Part 17 May 1993-April 1996
Chapter 18 Sarajevo I
Chapter 19 Sarajevo II
Chapter 20 Mostar
Chapter 21 Sarajevo III
Chapter 22 Albania
Chapter 23 Expedition
Chapter 24 Barcelona
Chapter 25 Epilogue
About the Author :
Christopher Merrill is a poet and critic and is the author or translator of more than a dozen books, including the highly praised The Old Bridge: The Third Balkan War and the Age of the Refugee. He reviews regularly for the Los Angeles Times and the San Francisco Chronicle. His writings have appeared in such publications as Sierra, Sports Illustrated, The Nation, DoubleTake, Orion, and The Paris Review. He holds the William H. Jenks Chair in Contemporary Letters at the College of the Holy Cross and lives in Connecticut.
Review :
I do not know of a thing written on the Balkans that is so attentive and appreciative of those artists who have both absorbed and reflected on the troubles of their land—in theory, at least, their real job in life. Who else has even come so close to recording their observations?
Only the Nails Remain is a beautiful, thoughtful, and surprising tour through the heart and soul of the Balkans at the end of the 20th century. Only a poet-journalist could accomplish this, and there's none better than Christopher Merrill. His first-hand experiences, compassionate insights, and unblinking eye for the telling detail make this book as fascinating as it is indispensable.
An intelligent, incisive, and extremely well-written report from the Balkans which gives body and human dimension to the strange, terrible events of recent years.
Christopher Merrill has given us a deeply moving account of a poet's journey into the dark heart of the war that punctuates our most broken century. Only the Nails Remain: Scenes from the Balkan Wars is informative as history, instructive as geography, penetrating as political analysis—and ennobling as literature. Merrill illuminates the Balkan conflict by bringing to life the bearers of its particular names, the speakers of its unforgettable voices. Merrill leads like Virgil. Alas, his tragic vision proves to be prophetic. During and after Kosovo, this book is mandatory for Americans
There’s no finer, more eloquent book written about the Balkans—its literature and cultures, its bloodsoaked history and deluded politics, and certainly its fascinating people—than Christopher Merrill’s Only the Nails Remain. Equally compelling as both a storyteller and correspondent, Merrill is our own Ryszard Kapuscinski—the highest praise I can offer to an American writer trying to comprehend the events of our time; the forces that, even as you read this, sweep promiscuously across the world.
With this extraordinary book, Merrill, a poet, author, and translator, has broadened the discussion to include not only politics and history, but culture and literature, too. Unlike many other books on the former Yugoslavia, Merrill’s was not hastily written in the year after his duty in the war zone. Instead, it contains ripe reflections on his 10 journeys to Slovenia, Bosnia, Montenegro, Serbia, Croatia and Mecedonia. . . . The beautifully written scenes from his travels are keenly observed and insightful. Like Rebecca West’s Black Lamb and Grey Falcon, this book might very well become a modern classic about what once again seems a painful and incomprehensible corner of Europe.
An engrossing account of the Balkan wars . . . also an informed account, for Merrill butresses his vignettes with numerous asides into Balkan history and politics. In addition, he provides the reader with fascinating profiles of heroes and villains, past and present, whose biographies explain, or help to explain, Yugoslavia's legacy of revenge, cruelty, and bloodshed. . . . Anyone who wishes to understand the human tragedy that is Yugoslavia should read Only the Nails Remain.
A poet who has journeyed, often on foot, through the Balkans, Merrill presents anecdotes from ordinary people encountered during his wanderings, as well as from friends in the arts and some political leaders. . . . His wide-ranging cultural connections provide a clearer understanding of each ethnic group's triumphs and follies, underscoring the importance of language, literature and folklore in forging national identity. Merrill goes further. . . . Merrill reveals both the complex hatreds and the darkly comical bickering between nationalities about their cultures.
In the line of fire. Only the Nails Remain works on a myriad of different levels. . . . [It] does not flinch when presenting the war, but then it will just as adeptly switch gears and recount a snippet of medieval history or a quirky character sketch. The latter abound. Life goes on. Which, more than anything, is the underlying theme of Only the Nails Remain—the perverse endurance of the human spirit.
Apowerful and enigmatic account. . . . A valuable book, especially for its portrait of the less-known Slovene literary life. Highly recommended for all academic and larger libraries.
Only the Nails Remain, Christopher Merrill's eloquent depiction of his journeys through the Balkans.
[A] widely admired book.
A rich supplement to the otherwise dry diet of those academic texts that purport to analyse more systematically the causes and consequences of Balkan conflict.
It is a study uniquely sensitive to the rhythms and nuances of a place where writing poetry is sometimes considered a national profession and where art is valued in even its most outrageously experimental forms. Merrill captures the wild beauty and romance of the region and records its dangers and inconsistencies.
This is a book of voices—of conversation, rumors, witticisms, grotesque legends and jokes. . . . It is also a brilliant marriage of history and anecdote—a highly lucid travelogue through terrain as complex as it is dark.
Merril's absorbing, beautifully written chronicle describes his ten trips to the Balkans during the Third Balkan War. Recommended enthusiastically for readers at all levels.
A beautifully written and visual book that stirs and engages all the senses of its reader. It is a travel book, which describes a journey less through the fragmenting space of the former Yugoslavia as through a crumbling humanity in the conditions of a protracted vicious and desensitizing war. It is a must for any scholar of the former Yugoslavia, and a magnificent addition to the library of any reader.
Not many books have been written with both passionate energy and respect for the facts; Only the Nails is one of them. It is recommended not only to students of psychohistory but to anyone interested in contemporary Europe.
