Making the Modern Primitive: Cultural Tourism in the Trobriand Islands

Making the Modern Primitive provides an anthropological analysis of the encounter between local residents and tourists in the Trobriand Islands, a place renowned in anthropology and represented in various media as ""culturally authentic."" In such a place, how are ideas about authenticity implicated in creating and representing the self and cultural Others in the context of cultural tourism? Michelle MacCarthy addresses this question by examining four arenas of interaction between Trobriand Islanders and tourists: formal performances, informal village visits, souvenir shopping, and tourist photography. Drawing on both symbolic/interpretive approaches and concepts drawn from economic anthropology, she examines the relationship of tourism to the commoditization of culture, the ways in which local residents actively represent and enact ""Trobriandness,"" and the ways tourists interpret and narrate their experience. MacCarthy offers an anthropological critique of concepts of authenticity, tradition, and cultural commodification, based on long-term fieldwork among Trobriand Islanders and tourists. These notions, which have particular meanings as analytical concepts in anthropology, are also used and strategically deployed in the discourses of both Trobriand Islanders and tourists. Ideas about primitivity and cultural essentialism, while critiqued by anthropologists, are nonetheless used by both parties in tourism interactions to conceptualize and contextualize difference. MacCarthy demonstrate how such tropes are employed in ways that fit with prevailing metanarratives which each side holds about the other, and how these tropes are reproduced both in individual narratives of both tourists' and Trobrianders' experiences and in their interpretations (often misconstrued) of the lives of cultural Others with whom they interact. She examines the social dimensions of cross-cultural exchange in these four arenas (performance, village life, souvenirs, photography) to argue that cultural commodities are conceived of as singularities, a special category whose commodity status is downplayed in order to generate an increased sense of authenticity and to perpetuate the myth of a ""primitive"" economy and way of life more generally. In touristic encounters, experience itself is a sort of commodity, but relationships (real or imagined) are central to investing these experiences with meaning and value. This analysis contributes new understandings of the role and significance of authenticity in the anthropology of tourism, and its relationship to exchange; that is, how meaning and value are ascribed to the cultural products produced and consumed in the cultural tourism encounter with reference to ideas about what is and isn't authentic.

About the Author :
Michelle MacCarthy is a postdoctoral fellow in the Department of Social Anthropology at the University of Bergen, Norway.

Review :
MacCarthy presents a wonderful ethnographic work examining cultural tourism and the conceptualization of authenticity from various vantage points within the Trobriand Islands of Papua New Guinea. . . . As readers navigate through shared narratives and collective histories, they cannot help but feel they are immersed in the Trobriand Islands culture. Libraries with anthropological collections focusing on Pacific Island studies or cultural heritage tourism should have a copy of this work.-- "CHOICE" [McCarthy] manages to challenge a number of assumptions, both popular and professional, about the phenomenon of cultural tourism and to bring it to live in a way that is fresh, informative, and appealing both to student and general audiences and to professional scholars.-- "Anthropology Review Database" The central argument of Making the Modern Primitive demonstrates how ideas of authenticity, custom, primitivity and culture, which hold a distinctive meaning as analytical categories in anthropology, are appropriated and strategically manipulated in the encounter between tourists and hosts, turning into tropes that imagine and define the self and the cultural Other. . . . The combination of rich ethnographic material, engaging theoretical analysis and accessible language makes [it] a book that will appeal to a wide audience of academics and students interested in critical tourism studies and ethnographic methods.--Fabiola Mancinelli, University of Barcelona "Tourism Geographies, Vol. 20 (2018)"