Gender and Power in the Japanese Visual Field
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Gender and Power in the Japanese Visual Field

Gender and Power in the Japanese Visual Field


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About the Book

In this, the first collection in English of feminist-oriented research on Japanese art and visual culture, an international group of scholars examines representations of women in a wide range of visual work. The volume begins with Chino Kaori's now-classic essay "Gender in Japanese Art," which introduced feminist theory to Japanese art. This is followed by a closer look at a famous thirteenth-century battle scroll and the production of bijin (beautiful women) prints within the world of Edoperiod advertising. A rare homoerotic picture-book is used to extrapolate the "grammar of desire" as represented in late seventeenth-century Edo. In the modern period, contributors consider the introduction to Meiji Japan of the Western nude and oil-painting and examine Nihonga (Japanese-style painting) and the role of one of its famous artists. The book then shifts its focus to an examination of paintings produced for the Japanese-sponsored annual salons held in colonial Korea. The post-war period comes under scrutiny in a study of the novel Woman in the Dunes and its film adaptation. The critical discourse that surrounded women artists of the late twentieth-century - the "Super Girls of Art" - is analyzed, followed by a consideration of gender ambiguity and cross-gender identification in contemporary anime and manga.


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Product Details
  • ISBN-13: 9780824825720
  • Publisher: University of Hawai'i Press
  • Publisher Imprint: University of Hawai'i Press
  • Height: 235 mm
  • Returnable: N
  • ISBN-10: 0824825721
  • Publisher Date: 10 Jul 2003
  • Binding: Hardback
  • Language: English
  • Width: 206 mm


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