Intersections: The Grand Concourse at 100

November 2009 marks the 100th anniversary of the Grand Boulevard and Concourse, the Bronx's crown jewel of urban planning, which stretches over four miles from 138th Street to the Mosholu Parkway. This famous roadway represents Art Deco and Art Moderne architecture at its grandest, including a cornucopia of apartment complexes, the Concourse Plaza Hotel, the Loews Paradise Theater, the Bronx County Courthouse, and, of course, Yankee Stadium. Modeled on the Champs-Élysées in Paris and described in the 1939 WPA Guide to New York as "the Park Avenue of the middle-class," it offered residents amenities not seen before in the city, such as private bathrooms and central heating. Intersections: The Grand Concourse at 100 examines the rich history of the Bronx's most famous thoroughfare through a fascinating collection of pieces—written by top-rate historians and contemporary museum curators, and accompanied by two original texts by Alsatian-born engineer Louis Risse, who designed and oversaw the construction of the Grand Concourse—on the context that informed its planning and construction, along with a vast and lush collection of photographs that bring this intoxicating period back to life. The book will also feature six art projects especially commissioned for the occasion: a series of large-scale color photographs by Jeff Liao; a time line by Skowmon Hastanan; The Tree Museum, a project by Katie Holten on the green spaces along the Concourse; a documentary film by Pablo Helguera on three buildings along the Concourse, namely, Poe's cottage, the Paradise Theater, and the Freedman Home; a project by Kabir Carter about capturing sounds from different areas along the Concourse; and a special lobby installation by Acconci Studio. Traveling the Concourse today offers a lesson in architecture, history, and sociology as you see the faces and places that call it home. It is truly New York, but more important, authentically the Bronx. You can't experience the Bronx until you travel the Grand Boulevard and Concourse, and Intersections: The Grand Concourse at 100 gives you this opportunity.

About the Author :
Antonio Sergio Bessa holds a Ph.D. from the Steinhardt School of Education, New York University. For sixteen years he worked as the Director of Curatorial and Education Programs at The Bronx Museum of the Arts, in addition to teaching at the School of Visual Arts and Columbia University's Teachers College. A scholar of concrete poetry, Bessa is the author of Öyvind Fahlström—The Art of Writing, co-editor of Novas—Selected Writings of Haroldo de Campos, and editor of Mary Ellen Solt—Towards a Theory of Concrete Poetry and Paulo Bruscky: Poesia Viva. Daniel Libeskind, B.Arch., M.A., BDA, FAIA, is an international figure in architecture and urban design. He is renowned for his ability to evoke cultural memory in buildings and is informed by a deep commitment to music, philosophy, and literature, Libeskind aims to create architecture that is resonant, original, and sustainable. Born in Lódz, Poland, in 1946, Mr. Libeskind immigrated to the United States as a teenager. He established his architectural studio in Berlin, Germany, in 1989 after winning the competition to build the Jewish Museum there. In February 2003, when Libeskind was selected as the master planner for the World Trade Center redevelopment, he moved from Berlin to New York City. His Studio Libeskind has completed buildings that range from museums and concert halls to convention centers, university buildings, hotels, shopping centers and residential towers. As principal design architect for Studio Libeskind, he speaks widely on the art of architecture in universities and at professional summits. His architecture and ideas have been the subject of many articles and exhibitions, influencing the field of architecture and the development of cities and culture. Libeskind lives in New York with his wife and business partner, Nina Libeskind.

Review :
Celebrates the history of the famous Bronx boulevard through a collection of pieces written by historians and contemporary museum curators. (—Fordham Notes) . . . A solid coffee-table acquisition for New York lovers. (—Midwest Book Review)