The Fierce Urgency of Now links musical improvisation to struggles for social change, focusing on the connections between the improvisation associated with jazz and the dynamics of human rights struggles and discourses. The authors acknowledge that at first glance improvisation and rights seem to belong to incommensurable areas of human endeavour. Improvisation connotes practices that are spontaneous, personal, local, immediate, expressive, ephemeral, and even accidental, while rights refer to formal standards of acceptable human conduct, rules that are permanent, impersonal, universal, abstract, and inflexible. Yet the authors not only suggest that improvisation and rights can be connected. They insist that they must be connected. Improvisation is the creation and development of new, unexpected, and productive co-creative relations among people. It cultivates the capacity to discern elements of possibility, potential, hope, and promise where none are readily apparent. Improvisers work with the tools they have in the arenas that are open to them.
Proceeding without a written score or script, they collaborate to envision and enact something new, to enrich their experience in the world by acting on it and changing it. By analysing the dynamics of particular artistic improvisations, mostly by contemporary American jazz musicians, the authors reveal improvisation as a viable and urgently needed model for social change. In the process, they rethink politics, music, and the connections between them. Daniel Fischlin is Professor and University Research Chair in the School of English and Theatre Studies at the University of Guelph in Ontario. Ajay Heble is Professor in the School of English and Theatre Studies at the University of Guelph in Ontario. He is the founder and artistic director of the Guelph Jazz Festival. George Lipsitz is Professor in the Department of Black Studies at the University of California, Santa Barbara.
Table of Contents:
Acknowledgments vii
Prelude. "The Fierce Urgency of Now"; Improvisation, Rights, and the Ethics of Cocreation xi
Introduction. Dissolving Dogma: Improvisation, Rights, and Difference 1
1. Sounding Truth to Power: Improvisation, Black Mobility, and Resources for Hope 33
2. Improvisation and Encounter: Rights in the Key of Rifference 57
3. Improvising Community: Rights and Improvisation as Encounter Narratives 99
4. Improvisation, Social Movements, and Rights in New Orleans 141
5. Art to Find the Pulse of the People: We Know This Place 171
6. "The Fierce Urgency of Now": Improvisation, Social Practice, and Togetherness-in-Difference 189
Coda 231
Notes 245
Works Cited 263
Index 281
About the Author :
Daniel Fischlin is Professor and University Research Chair in the School of English and Theatre Studies at the University of Guelph in Ontario. He is coauthor (with Martha Nandorfy) of The Community of Rights – The Rights of Community.
Ajay Heble is Professor in the School of English and Theatre Studies at the University of Guelph and an editor (with Rob Wallace) of People Get Ready: The Future of Jazz Is Now!, also published by Duke University Press. He is the founder and artistic director of the Guelph Jazz Festival.
George Lipsitz is Professor in the Department of Black Studies at the University of California, Santa Barbara. He is the author of many books, including How Racism Takes Place and Footsteps in the Dark: The Hidden Histories of Popular Music.
Review :
"The Fierce Urgency of Now is a groundbreaking and, in many instances, breathtaking book. It should be read by scholars and students working on social justice and the political, social, and visionary importance of expressive cultures all over the world." - TRICIA ROSE, Professor, Brown University, and author of The Hip Hop Wars: What We Talk About When We Talk About Hip Hop - and Why It Matters "The authors propose that 'the ethics of co-creation' supply a useful and viable model for social change... The Fierce Urgency of Now is primarily concerned with contemporary directions in African American music, although the authors acknowledge the universality of improvisation... It is the stated aim of the authors to formulate a critical language for today's worldwide interaction of improvised musics... this is a book which deserves to be widely read." - Lou Glandfield, Times Literary Supplement
