Cuba Represent!: Cuban Arts, State Power, and the Making of New Revolutionary Cultures

In Cuba something curious has happened over the past fifteen years. The government has allowed vocal criticism of its policies to be expressed within the arts. Filmmakers, rappers, and visual and performance artists have addressed sensitive issues including bureaucracy, racial and gender discrimination, emigration, and alienation. How can this vibrant body of work be reconciled with the standard representations of a repressive, authoritarian cultural apparatus? In Cuba Represent! Sujatha Fernandes-a scholar and musician who has performed in Cuba-answers that question. Combining textual analyses of films, rap songs, and visual artworks; ethnographic material collected in Cuba; and insights into the nation’s history and political economy, Fernandes details the new forms of engagement with official institutions that have opened up as a result of changing relationships between state and society in the post-Soviet period. She demonstrates that in a moment of extreme hardship and uncertainty, the Cuban state has moved to a more permeable model of power. Artists and other members of the public are collaborating with government actors to partially incorporate critical cultural expressions into official discourse. The Cuban leadership has come to recognize the benefits of supporting artists: rappers offer a link to increasingly frustrated black youth in Cuba; visual artists are an important source of international prestige and hard currency; and films help unify Cubans through community discourse about the nation. Cuba Represent! reveals that part of the socialist government’s resilience stems from its ability to absorb oppositional ideas and values.

Table of Contents:
List of Illustrations ix Preface xi Acknowledgments xv Introduction: Artistic Public Spheres and the State 1 1. Remaking Conceptual Worlds: Changing Ideologies in Socialist Cuba 23 2. Old Utopias, New Realities: Film Publics, Critical Debates, and New Modes of Incorporation 42 3. Fear of a Black Nation: Local Rappers, Transnational Crossings, and State Power 85 4. Postwar Reconstructions: State Institutions, Public Art, and the New Market Conditions of Production 135 Conclusion 181 Notes 191 Bibliography 199 Index 213

About the Author :
Sujatha Fernandes is Assistant Professor of Sociology at Queens College, City University of New York.

Review :
"Sujatha Fernandes presents an excellent overview of expressive culture in revolutionary Cuba of the 1990s and beyond, offering provocative insights into the uses of art as a form of political protest and of individual expression. Her focus on various media (music, film, visual art) and her detailed ethnographic work allow her to document how topics such as gender, race, and politics surface constantly in Cuban art. Fernandes has demonstrated beyond any doubt the importance of culture as a space for progressive social discourse."--Robin D. Moore, author of Music and Revolution: Cultural Change in Socialist Cuba "A provocative look into Cuba's cultural production. Those who want to understand how the Cuban government managed to negotiate the crisis of the 1990s should read this book."--Alejandro de la Fuente, author of A Nation for All: Race, Inequality, and Politics in Twentieth-Century Cuba "As a work that comes out of the discipline of political science, Cuba Represent! is extremely brave and original. Sujatha Fernandes manages to offer a language that is truly interdisciplinary, moving successfully across the boundaries of the social sciences and the humanities."--Ruth Behar, author of Translated Woman: Crossing the Border with Esperanza's Story