How does soil, as an ecological element, shape culture? With the sixteenth-century shift in England from an agrarian economy to a trade economy, what changes do we see in representations of soil as reflected in the language and stories during that time? This collection brings focused scholarly attention to conceptions of soil in the early modern period, both as a symbol and as a feature of the physical world, aiming to correct faulty assumptions that cloud our understanding of early modern ecological thought: that natural resources were then poorly understood and recklessly managed, and that cultural practices developed in an adversarial relationship with natural processes. Moreover, these essays elucidate the links between humans and the lands they inhabit, both then and now.
Table of Contents:
Acknowledgments
Introduction: Toward a Renaissance Soil Science, Hillary Eklund
Compost/Composition, Frances E. Dolan
Richard Carew and the Matters of the Littoral, Tamsin Badcoe
Visions of Soil and Body Management: The Almanac in Richard II, Bonnie Lander Johnson
Unsoiled Soil and "Fleshly Slime": Representations of Reproduction in Spenser's Legend of Chastity, Lindsay Ann Reid
Groping Golgotha: Soil Improvement in the Towneley and Chesters Shepherds' Plays, Rob Wakeman
Winstanley and Postrevolutionary Soil, Keith M. Botelho
Fertility versus Firepower: Shakespeare's Contested Soil Ecologies, Randal Martin
Wetlands Reclamation and the Fate of the Local in Seventeenth Century England, Hillary Eklund
Manuring Eden: Biological Conversions in Paradise Lost, David B. Goldstein
Afterword, O'Dair
Notes
Bibliography
About the Contributors
Index
About the Author :
Hillary Eklund is associate professor of English at Loyola University New Orleans and the author of Literature and Moral Economy in the Early Modern Atlantic: Elegant Insufficiencies.
Review :
“This first collection of essays to center on literary representations of soil makes contributions to both our sense of the historical context of early modern texts, and to our ecocritical theoretical repertoire, offering nine chapters that turn, exhume, overturn, and delve [into] sixteenth- and seventeenth-century materials in sharply insightful, often lyrical ways.”
—Chris Barrett Renaissance Quarterly
