Burn: (Crab Orchard Series in Poetry)

A lyrical meditation on time, survival, and merciful moments of joy Sara Henning’s Burn draws readers deep into the moments that make us, focusing on instances of crisis and renewal to explore our relation to time and lived experience. In these poems, we follow a speaker as she works through the loss of young love, the death of her parents, marriage’s hardness and beauty, sexual assault, and the devastation of a pandemic—evolutions of trauma that fracture time and alter perception. Twinned with these extremes are shimmering manifestations of joy only an imperfect world can make possible. Burn magnifies the way time leaves us both the victim and the victor of our realities. The blaze of her late-mother’s Tiffany lamps sends the speaker back to childhood, where she unearths mica from the schoolyard dirt. The devastation of an ecological crisis, the annihilating act of rape, and the unsolved disappearance of a caretaker all level the speaker’s world and upend her place in it, forcing her to reconstitute reality from what remains. In poems which summon the spirit of Stephen Hawking’s A Brief History of Time, this collection walks through the physics of temporality as refracted through love, loss, and grief, so we better understand its effect on our lives. Through this insight, Henning introduces a new way of being in the world. A work of advocacy and uplift, Burn shines with the vibrant possibilities of narrative lyric poetry as it forges a path from grief to hope.

Table of Contents:
CONTENTS 1. Galveston, Texas Stealing Ariel Good Kissing A Brief History of Fathers Letter in the Shape of a Banyan Tree Ghost Story Blue Cornfield Elegy A Brief History of Light Almost Men Ars Poetica After an Abnormal Mammogram Olives Year of the Horse 2. A Brief History of Fire 3. The Virgin’s Club When I Choose a Man Cairns at School House Beach Cat State Texas Duplex Meditation at Panda Express Christmas Quarantine After Uri A Brief History of Hurricanes A Brief History of Skin Drive-In Nights The First Years Men of the Sea Burn Acknowledgments Notes

About the Author :
Sara Henning is the author of Terra Incognita and View from True North, which was chosen by Adrian Matejka as co-winner of the 2017 Crab Orchard Series in Poetry Open Competition Award. She was awarded the 2015 Crazyhorse Lynda Hull Memorial Poetry Prize, the 2019 Poetry Society of America's George Bogin Memorial Award, a 2019 High Plains Book Award, and a Tennessee Williams Scholarship. Her work has appeared in journals such as Alaska Quarterly Review, Southern Humanities Review, Witness, Meridian, and the Cincinnati Review. She is an assistant professor of Creative Writing at Marshall University.

Review :
“When the embers of a blaze drift upward over the spindrifts of a churning time, we receive Henning’s language in curlicues of smoke. The poems in Burn meditate on what comes after the ash, pondering how we must have moved forward with our hands extended outward into the miracle of the open air. Her splendid lyrical words return us again and again to the clearing where somehow, despite it all, we are still able to breathe.”—Oliver de la Paz, author of The Diaspora Sonnets “In Burn, Sara Henning risks adding the heat of recall and imagination to a life tindered by loss and trauma, and the result is poetic illumination. Across sobering backdrops of fear and uncertainty, as time applies its own pressurization to danger and desire, Henning shows how belief and love can abide. Burn is a book of reckoning and revel, is a healing.”—Geffrey Davis, author of Night Angler “‘Memory guts me open,’ Sara Henning writes in her dazzling new collection Burn. In these poems, burning is violence, it is grief, but it is also love and longing and desire. Henning explores a world ‘on the verge/of ending,’ under threat of floods, ice storms, and fires, a world in which men do violence to women’s bodies and beloved mothers die. With gorgeous formal innovation, including a sestina, pantoum, haibun and a crown of sonnets, these poems look unflinchingly at love and danger. Fire causes damage here but also reveals a new language, as the speaker finds joy and delight in new love—‘we are flameless combustion, licked flint, / divine red.’”—Nicole Cooley, author of Of Marriage