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Home > Art, Film & Photography > The arts: general issues > Theory of art > Pun(k) Deconstruction: Experifigural Writings in Art&art Education(Studies in Curriculum Theory Series)
Pun(k) Deconstruction: Experifigural Writings in Art&art Education(Studies in Curriculum Theory Series)

Pun(k) Deconstruction: Experifigural Writings in Art&art Education(Studies in Curriculum Theory Series)


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About the Book

In this volume, Jan Jagodzinski presents a series of essays covering a timespan of approximately ten years. These essays chart the theory and practice of art and art education as it relates to issues of postmodernity and poststructuralism concerning representation, identity politics, consumerism, postmodern architecture, ecology, phallocentrism of the artistic canon, pluriculturalism, media and technology, and AIDS. As a former editor of "The Journal of Social Theory in Art Education" and a founding member for "The Caucus on Social Theory in Art Education", the author attempts to deconstruct the current art education paradigm, which is largely based on modernist tenets, and to re-orientate art education practice to social issues as developed in both media education and cultural studies. Part of the intent in these two volumes is to undertake a sustained critique of the 1982 Art in the Mainstream (AIM) statement, which continues to be considered as the core value for art education. The distinct intention of this critique is to put forward a new value base for art and art education in these postmodern times. Many of the essays raise the need to be attentive to sex/gender issues in art and art education and the need to read the artistic discourse "otherwise". There is a sustained critique of the art programmes developed by the Getty Center for the Arts, whose arts curriculum presents the paradigm case of late modernist thinking. Some essays are written in a provocative form that tries to accommodate such content. This is particularly the case in "Pun(k) Deconstruction", where architectural discourse is deconstructed, and which includes an "artistic performance" given by the author in 1987. The essays combine scholarship in the areas of gender studies, aesthetics, art history, art education, poststructuralism and cultural studies in a unique blend of theory and practice for rethinking the field of art education.

Table of Contents:
Contents: Preface. Part I: Questioning Representation. Learning From Sal(l)ad: Redressing the Historical Narrative (1985-1992). On the Impossibility of Men in Feminism: Taking a Hesitant Step Through the Minefield of Feminism in Art and Education (1989). The Question of Representation: The Case of AIDS (1991). Part II: Experifigural Writing. Blue Velvet, or Whatever Happened to 'Presence'?: Postmodernist and Poststructuralist Impact on Arts Education (1987). The Nostalgia of Art Education: Back to the Future, Part 4 (1992). The Nostalgia of Art Education: Reinscribing the Master's Narrative, Part 5 (1994). Part III: The Question of Youth in the Postmodern? The War of Labels: An Art Educator in Search for a Sign (1993). Violence and Generation X: How the New Right is Managing the 'Moral Panic' Through Television and Teen Films (1996).


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Product Details
  • ISBN-13: 9780805826067
  • Publisher: Taylor & Francis Inc
  • Publisher Imprint: Routledge
  • Height: 280 mm
  • No of Pages: 262
  • Sub Title: Experifigural Writings in Art&art Education
  • Width: 210 mm
  • ISBN-10: 0805826068
  • Publisher Date: 01 Aug 1997
  • Binding: Hardback
  • Language: English
  • Series Title: Studies in Curriculum Theory Series
  • Weight: 640 gr


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