About the Book
A NEW YORK TIMES BEST BOOK OF THE YEAR • An essential new translation of the author’s complete, uncensored diaries—a revelation of the idiosyncrasies and rough edges of one of the twentieth century’s most influential writers.
“An invaluable addition to Kafka’s oeuvre.”—The New York Times
An essential new translation of Franz Kafka’s complete, uncensored diaries—a revelation of the idiosyncrasies and rough edges of one of the twentieth century’s most important, influential, and visionary writers Dating from 1909 to 1923, Franz Kafka’s Diaries contains a broad array of writing, including accounts of daily events, assorted reflections and observations, literary sketches, drafts of letters, records of dreams, and unrevised texts of stories. This volume makes available for the first time in English a comprehensive reconstruction of Kafka’s handwritten diary entries and provides substantial new content, restoring all the material omitted from previous publications—notably, names of people and undisguised details about them, a number of literary writings, and passages of a sexual nature, some of them with homoerotic overtones.
By faithfully reproducing the diaries’ distinctive— and often surprisingly unpolished—writing as it appeared in Kafka’s notebooks, translator Ross Benjamin brings to light not only the author’s use of the diaries for literary invention and unsparing self-examination but also their value as a work of genius in and of themselves.
About the Author :
FRANZ KAFKA was born in Prague in 1883 to German-speaking Jewish parents. During his lifetime, he published groundbreaking short stories, including “The Judgment,” “The Stoker,” and “The Metamorphosis.” After his death in 1924, his friend and literary executor, Max Brod, defied his testamentary instructions to burn all his unpublished writing. Kafka’s posthumous work— including three unfinished novels, The Trial, The Castle, and Amerika—brought him worldwide renown.
ROSS BENJAMIN’s translations include Friedrich Hölderlin’s Hyperion, Joseph Roth’s Job, and Daniel Kehlmann’s You Should Have Left and Tyll. He was awarded the Helen and Kurt Wolff Translator’s Prize for his rendering of Michael Maar’s Speak, Nabokov, and he received a Guggenheim Fellowship for his work on Franz Kafka’s diaries.
Review :
“Essential . . . The new volume, in a sensitive and briskly idiomatic translation by Ross Benjamin, offers revelation upon revelation. It’s an invaluable addition to Kafka’s oeuvre."
—The New York Times
“Momentous . . . Life also bursts into literature at the level of form, and in Kafka’s diaries even the words are acrobatic. As Ross Benjamin notes in the thoughtful introduction to his new translation, his aim is to capture the extent to which the diaries were a 'laboratory for Kafka’s literary production' and thereby catch the author 'in the act of writing.' He has succeeded. Everything in the diaries thrashes . . . [They] are the intimate incisions of an author who could write only by etching words into the flesh.”
—The New Yorker
“One of the finest translating achievements in recent history.”
—Literary Review
"Benjamin, whose translation is the first complete and uncensored edition of the Diaries to be made available to an English readership . . . begins from scratch the whole business of restoring to the notebooks their 'provisionality, materiality, and mutability . . [His] aim is to give us the writer in his 'workshop,' blotting the page, changing his mind, running at a sentence a dozen times and still not getting it right."
—The New York Review of Books
“Mr. Benjamin’s translation doesn’t just supplant the previous edition—it inaugurates a new phase of Kafka’s afterlife in English . . . The writing glimmers with sensitivity, and openness to the world.”
—The Wall Street Journal
“Readers will welcome this new edition of the Diaries, complete, uncensored, in a fluent translation by Ross Benjamin, and supplemented with 78 pages of invaluable notes, the fruit of half a century of Kafka scholarship.”
—J. M. Coetzee, author of Disgrace
“Max Brod, Franz Kafka’s intimate friend and fellow writer, was, it is now understood, both his savior and his betrayer. Without his rescue of Kafka’s at-risk papers, there would be almost no Kafka at all; but in the presence of Brod’s mediating intrusions as editor, have we ever really known Kafka’s authentic voice? This new and scrupulously faithful translation of the Diaries brings us, unembellished by theory, the true inner life of the twentieth century’s most complex and enigmatic literary prophet, whose very name has come to us as symbol and vision of innocent vulnerability in the face of irrational force. Yet warns: beware interpretation!”
—Cynthia Ozick, author of Antiquities
“Franz Kafka’s inner life has always been a bit of a mystery. The expurgated diaries in their original German and English versions hinted at his complicated, often confused relationship to sex, politics, illness, and being Jewish. This readable new translation of the complete German version of the diary transforms the silent Kafka of a century ago into a Kafka not only of his times but of ours.”
—Sander Gilman, author of Franz Kafka, The Jewish Patient
“Thirty two years after their original publication in German, Franz Kafka's complete Diaries are here in Ross Benjamin's outstanding translation. A boon for the American reader! The previous edition of the Diaries was egregiously censored by Max Brod who eliminated whatever, in his misdirected view, could detract from the saintly image of his friend which he chiseled for posterity. Now we have in English some of the most intimate reflections and literary experiments of one of the towering geniuses of modern literature.”
—Saul Friedländer, author of Franz Kafka: The Poet of Shame and Guilt
“A fresh, unadulterated translation of Kafka’s notebooks, dense with introspection and writerly despair . . . The attraction of Kafka’s diaries has always been his coruscating descriptions of his existential struggles as a writer and human being. He captures his frustration in ways that are wrenching, vivid, and highly quotable . . . Essential reading.”
—Kirkus Reviews
“Finally! Three decades after the publication of the critical edition of Franz Kafka's diaries in Germany, English readers can now 'catch Kafka in the act of writing,' thanks to this monumental endeavor by translator Ross Benjamin. This new volume offers us Kafka's singular perspective and delivers an expanded window into Kafka's unique personality. The intricately researched and detailed Notes (75 pages of them!) provide us with a wealth of knowledge and context. For those of us in thrall to Kafka the Man as well as the Writer, the Notes add layers of life to Kafka's world and milieu and reveal a new depth and richness to Kafka's humanity. This new volume is an essential addition to the library of every serious student and reader of Kafka.”
—Kathi Diamant, author of Kafka's Last Love and director of the Kafka Project
“‘A book must be the axe for the frozen sea within us,” Kafka famously wrote. In his Diaries, we see him turning that axe on his own psyche, recording his dreams, jotting snatches of overheard dialogue, even drafting stories. For the first time, Ross Benjamin’s new translation gives English readers access to the entirety of the Diaries, with Kafka’s fragmentary structure and idiosyncratic grammar preserved. The result is the most intimate glimpse possible into the process of this singular writer.”
—Ruth Franklin
“With this new rendition of Kafka’s diaries, Benjamin escorts us inside the burrow, showing us the artist at work. At once disturbing and humanizing, these unexpurgated notebooks remind us that the achievements of this singular writer were unlikely, precarious, and paid for with great pain.”
—Bookforum
“The Diaries are a wild ride, and a recent translation by Ross Benjamin is superb. The book is handsome, the notes extensive, and Benjamin’s crisp preface is thoughtful and sincere . . . Benjamin’s research has brought the play and peculiarity of Kafka’s “method”—obsessive, cyclic, demanding, open-ended and abruptly terminative at once—into fresh light.”
—Harper’s Magazine
“This new edition restores the variegated richness – and, at times, the tedium – of the diaries . . . Here Kafka seems both genius and ingenue, and the contradiction brings him closer to us . . . The diaries, in which fiction, confession, dreams, wry humor, and despair combine in a messy, hypnotic network, feel like the closest thing to a path, so like a tripwire, that leads to the threshold of Kafka’s abiding mystery.”
—The Guardian
“The new translation restores the diaries to how Kafka wrote them: fragmentary, sometimes incoherent and disordered. It’s not unusual to find a sketch continued 100 pages later—or even 100 pages earlier, so chaotic was the way he filled the pages . . . It’s thrilling to turn the page after acres of Olympic-standard bellyaching and find the entire text of Kafka’s extraordinary short story “The Judgement” presented just as he wrote it, in one long overnight blizzard of creativity . . . The Diaries will open your eyes—but the stories will blow your mind.”
—The Times (UK)
“This edition of The Diaries seems a model of both scrupulousness and generosity. Here we find the unpolished inner life of one of the most significant writers that ever lived.”
—The Spectator
“An unprecedented, almost 600-page peephole into the mind of a writer whose published prose is otherwise classically abstract and inscrutable. It’s some secret to be let into.”
—Financial Times
“Ross Benjamin’s new translation, the first in 75 years, has relevance extending beyond the rarefied air of Kafka scholarship. Benjamin has restored Kafka’s diaries to their messy original format, undoing virtually every editorial decision of Kafka’s longtime friend, executor, and biographer, Max Brod . . . Where Brod tried to clean up Kafka’s diaries for academics, Benjamin has recreated the thrill of discovering Kafka’s diaries for anyone interested in snooping.”
—The Village Voice
“Ross Benjamin has given the literary world an incredible treasure in this thoughtful edition. Kafka has never been so fully present, both as a man and a writer."
—New York Journal of Books
