On the Divide: The Many Lives of Willa Cather

Willa Cather's fiction frequently plays out on "the divide," the high prairie land of Nebraska, where the author herself lived as a child. This book suggests that Cather's own life played out on a divide as well, deliberately measured out between different roles and personae that made their way into her writing. On the Divide analyzes the iconic image that Cather helped develop for herself, in contrast to the anonymous face she adopted for promotional activities and the very different private self she shared only with friends and family. Delving into Cather's correspondence and the little-known promotional material she produced anonymously, David Porter provides new insight into the extent—and direction—of her control. He also considers the contrasting influences of Mary Baker Eddy, whose biography Cather ghostwrote, and Sarah Orne Jewett on the author's emerging artistic persona. The study goes on to explore the many ways in which these "divides" in Cather's life found expression in her writing. Extending from Cather's early stories to her final novel, Porter's book documents the degree to which Cather's understanding of her own different and often conflicting sides, and of her penchant for playing diverse roles, enabled her as a novelist to create characters so torn, so complex, and so profoundly human.

Table of Contents:
Introduction: On the Divide Section I: Cather on Cather – Introduction Chapter 1: Three Autobiographies and an (Auto)interview Chapter 2: Dust Jacket Copy   Section II: Entering the Kingdom of Art – Introduction Chapter 3: The Quest to Excel: 1890-1906 Chapter 4: Cather Caught in the Eddy Chapter 5: Two Alter-Egos   Section III: At Home on the Divide – Introduction Chapter 6: O Pioneers! and My Autobiography Chapter 7: The Song of the Lark Chapter 8: My Ántonia   Section IV: Confronting Medusa – Introduction Chapter 9: "Hard and Dry" Chapter 10: Youth and the Bright Medusa Chapter 11: One of Ours   Section V: "The Seeming Original Injustice – Introduction Chapter 12: A Lost Lady Chapter 13: The Best Stories of Sarah Orne Jewett Chapter 14: The Professor's House Chapter 15: My Mortal Enemy   Section VI: Recapitulation – Introduction Chapter 16: Conversations: Cather Talks with Cather   Section VII: "In the End is My Beginning" – Introduction Chapter 17: Death Comes for the Archbishop Chapter 18: Fiction of the 1930s Chatper 19: Cather, Jewett, and Not Under Forty Chapter 20: Sapphira and the Slave Girl   Notes Works Cited Index  

About the Author :
David Porter is the Tisch Family Distinguished Professor at Skidmore College. He is the author of Virginia Woolf and the Hogarth Press: "Riding a Great Horse" and Horace's Poetic Journey: A Reading of Odes 1–3.

Review :
"If you can handle a tough, honest look at the personality and work of a Nebraska icon, if you are a Nebraskan who understands where our State's real power in this world and its history lies, then this is a volume you will find to be as fascinating as a spicy mystery novel."—Roger Welsch, Nebraska Life "As a narrative of a conflicted consciousness, a portrait of an artist, and as a forensic piece of literary scholarship, Porter's book is a splendid achievement."—Catherine Morley, Oxford Journals "Written for general readers, not just those with an esoteric knowledge of Cather scholarship, Porter's book will be enlightening for anyone who wants another view of Nebraska's premier author."—Becky Faber, Nebraska History "Porter's work signals new paths for future scholarship, uncovering complex threads that run between Cather's ideals of art and the realities of her twentieth-century literary marketplace."—Michael Schueth, Legacy