The young and virtuous physician's daughter Helena desperately loves Count Bertram, but he regards her as beneath his notice.
When Helena cures the king of France of a mortal illness, he rewards her with Bertram's hand, but before their marriage can be consummated, the count flees. To win her husband back again, Helena forms a daring and resourceful plan.
A plot to unmask the strutting soldier Parolles makes up another strand in this sometimes disturbing comedy of deception and disguise.
ACT IScene 1. Bertram, the young Count of Rossillion, is leaving home to take his place at the court of the King of France, who is gravely ill. Bertram bids farewell to his mother the widowed Countess, her friend the old lord Lafew and the young and virtuous Helena, daugther of a famous doctor now deceased, who lives as a dependent in the old Countess' household. Helena is passionately in love with Bertram, though without hope because he is so far above her in birth. Parolles, a blustering soldier who has attached himself to Bertram, is also going to the French court and Helena determines to follow. She has learned the mysteries of medicine from her father; if she can cure the King, she may win Bertram's heart.Scene 2. The ailing King tells of war between the Florentines and Sienese; he will give permission to any young gentleman of France who wishes to go to Italy in search of glory. Bertram arrives and the King greets him warmly. Scene 3. The Countess gently forces Helena to admit her love for Bertram and reveal her plan to attempt the King's cure. The old lady kindly offers her support.
ACT IIScene 1. Lafew announces the arrival at court of a young woman who claims to be able to heal the King. The King is deeply skeptical, but Helena persuades him to allow her to make the attempt. Should she succeed, the King is to grant her the husband of her choice.Scene 2. The Countess' fool Lavatch is to be sent to the court. He claims that he has a response that will serve him in all social situations, but the Countess exposes his folly.Scene 3. Helena has restored the King to joyful health. He offers her the hand in marriage of any of the young lords at court, but when she chooses Bertram he recoils in horror. Angrily, the King commands Bertram to wed Helena instantly. The marriage takes place, but Bertram vows that he will never sleep with his bride and determines to steal away to the Italian wars at once.Scene 4. Helena receives a letter from Bertram telling her that he has been called away and ordering her to take leave of the King.Scene 5. Lafew warns Bertram that Parolles is a hollow sham. Helena enters and Bertram dismisses her curtly, instructing her to return to the Countess.
ACT IIIScene 1. The Duke of Florence prepares to welcome the young Frenchmen who come to fight on his behalf.Scene 2. Helena has received a letter from Bertram: until she can get the ring from his finger, which he has vowed never to remove, and produce a child that she has conceived by him, she will never be able to call him husband.Scene 3. The Duke of Florence, impressed by Bertram's military promise, has given him an important command. Scene 4. The Countess has received a letter from Helena telling her that she has gone on a pilgrimage to atone for her sin in aspiring to Bertram's love and freeing him from his responsibility for her. The Countess bitterly deplores her son's arrogance and blindness.Scene 5. Helena has come to Florence where she meets a kindly widow and her beautiful daughter, Diana. The widow tells her that Bertram has fought heroically in the war but also that he has been attempting to seduce Diana. Scene 6. The French soldiers hatch a plot to convince Bertram of Parolles' cowardliness; pretending to be enemy soldiers, they will capture him, then see if he is prepared to betray his friends.Scene 7. Helena, too, is setting a plot. Diana is to pretend to yield to Bertram's suit on condition that he give her his ring. She is then to agree to an assignation in the dark, at which Helena will take her place.
ACT IVScene 1. Parolles is "captured" according to plan. He immediately offers to betray the Florentines and is blindfolded and taken off for interrogation.Scene 2. Bertram woos Diana, who will yield only if he will giver her his ring. Bertram is reluctant but such is his passion for the girl that he agrees. Diana tells him to come to her chamber at midnight. Scene 3. News has reached Bertram that Helena is dead; his friends condemn his hard-heartedness. The plotters interrogate Parolles. He begs them to spare his life and gives up the secrets of the army, slandering various Frenchmen, including Bertram, as he does so. At length his blindfold is removed and the plot revealed: Parolles' true character has been exposed. Scene 4. Helena's subterfuge has succeeded and she is now pregnant with Bertram's child, though he believes it was Diana whose bed he shared. She resolves to return to France, and Diana and the widow agree to accompany her. Scene 5. In Rossillion, Lafew tells the old Countess of the exposure of Parolles. Bertram is expected home at any moment and news arrives that the King of France is also on his way to the Countess' house.
ACT VScene 1. Meeting a French gentleman on the road, Helena gives him a letter to be delivered to the King of France.Scene 2. Parolles humbles himself before Lafew, confessing that the old Lord was the first to see through him.Scene 3. The King forgives Bertram for his cruel treatment of Helena, which the young Count seems to repent. The King recognizes a ring on Bertram's finger as one which he hemself had previously given to Helena; Bertram denies this, saying that he had it from a woman in Florence. The french gentleman delivers Helena's letter: this relates that Bertram has seduced Diana, then abandoned her--Diana herself is present and wishes to appeal to the King. Diana is summoned and Bertram dismisses her as a common prostitute, though admitting he has slept with her and that it was she who gave him the ring the King has recognized; Diana meanwhile, insists that she is still a virgin. The King does not know what to believe until, to the astonishment of all, Helena appears. She has the ring from Bertram's finger and is pregnant with his child; the "impossible" conditions have been met and Bertram vows to love his wife "ever, ever dearly."
CAST The King of France: Clive Swift / Helena: Emily Woof / Bertram: Sam West / Countess: Maggie Steed / Parolles: Edward De Souza / Lafew: Denys Hawthorne / Lavatch: Aden Gillett / Interpreter: Nicholas Murchie / First French Lord: John Warnaby / Second French Lord: Michael Higgs / Widow: Jenny Howe / Diana: Rebecca Saire / Duke of Florence: Gavin Muir / Mariana: Charlotte Harvey / Messenger: Scott Cherry
Director: Clive Brill / Composer: Dominique Le Gendre / Production coordinators: Polly Coles and Charlotte Harvey / Sound engineer: Wilfredo Acosta / Producers: Bill Shepherd and Tom Treadwell
TRACK LISTDisc 1Track 1: Act I, Scene iTrack 2: Act I, Scene iiTrack 3: Act I, Scene iiiTrack 4: Act II, Scene iTrack 5: Act II Scene iiTrack 6: Act II, Scene iiiTrack 7: Act II, Scene iv
Disc 2Track 1: Act II, Scene vTrack 2: Act III, Scene iTrack 3: Act III, Scene iiTrack 4: Act III, Scene iiiTrack 5: Act III, Scene ivTrack 6: Act III, Scene vTrack 7: Act III, Scene viTrack 8: Act III, Scene viiTrack 9: Act IV, Scene iTrack 10: Act IV, Scene iiTrack 11: Act IV, Scene iii
Disc 3Track 1: Act IV, Scene ivTrack 2: Act IV, Scene vTrack 3: Act V, Scene iTrack 4: Act V, Scene iiTrack 5: Act V, Scene iii
About the Author :
William Shakespeare (1564-1616), English poet and dramatist of the Elizabethan and early Jacobean period, is the most widely known author in all of English literature and often considered the greatest. He was an active member of a theater company for at least twenty years, during which time he wrote many great plays. Plays were not prized as literature at the time and Shakespeare was not widely read until the middle of the eighteenth century, when a great upsurge of interest in his works began that continues today.
E. A. Copen lives deep in the deep dark woods outside one of the most haunted cities in Ohio. While working a boring retail job, she entertained herself with stories of the fantastic, some of which became books like Guilty by Association, Death Rites, and Broken Empire. She speaks three languages fluently: English, Latin, and sarcasm. E. A. is currently studying to become proficient in memes. Tom Wheelwright es Contador Público Autorizado y la fuerza creativa detrás de WealthAbility, el movimiento de Riqueza libre de impuestos más importante del mundo, que sirve a empresarios e inversores a nivel mundial. Como fundador y CEO, Tom ha sido responsable de revolucionar los servicios de consultoría y estrategias fiscales, empresariales y de riqueza para clientes premium durante casi 30 años. Tom es un experto en estrategias fiscales para sociedades y corporaciones, un conocido orador y un innovador en educación financiera. Robert T. Kiyosaki, autor bestseller de Padre Rico, Padre Pobre, se refiere a Tom como "un jugador que cualquiera que quiera ser rico necesita tener en su equipo". Ha sido colaborador de Robert T. Kiyosaki en varios de sus libros. Tom tiene una maestría en Contabilidad Profesional por la Universidad de Texas y una licenciatura en Artes por la Universidad de Utah.
Edward de Souza has narrated Don Quixote, The Canterbury Tales, The Island Race, The New Testament, Hamlet, Prince of Denmark, and The Life of Wolfgang Amadeus Mozart, among others. He has played leading roles in over a dozen West End plays and in several seasons with the Royal Shakespeare Company, Stratford, at the Old Vic, and the National Theatre. His film credits include The Thirty-Nine Steps and The Spy Who Loved Me.
Clive Swift is known the world over for his comic work in the television show Keeping Up Appearances. His career has been based, however, on extensive theatrical work with the RSC and other leading British companies, and in films such as A Passage to India. He is the founder of The Actor's Centre in London.
Review :
"All's Well That Ends Well ranges from scenes of farce to moments of serious insight. Helena's character, of rather dubious virtue in terms of her tactics with Bertram, sheds interesting ambiguity on the plot's general theme of the blindness of prejudice and unreason."
-- "Masterpieces of World Literature"
"[All's Well that Ends Well] has its charms, which the Arkangel cast does its best to emphasize. The pace never lags, the more dramatic moments work well, and the players are uniformly fine."
-- "AudioFile"
