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The Reflective Conservatoire: Studies in Music Education(Guildhall Research Studies)

The Reflective Conservatoire: Studies in Music Education(Guildhall Research Studies)


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About the Book

Across the world, fundamental changes in the music profession are in progress, stimulating profound questioning of the values promoted by conservatoires and specialist music schools. Techniques and methods used in preparing young musicians for a life dedicated to the performance and creation of music are being re-examined. Few studies have been published that focus on the education and training of musicians at higher-education level. This collection of essays and studies opens to the public some of the debates taking place within one conservatoire. These, together with the accompanying DVD, provide a variety of evidence resulting from research and development activities by performer-teachers associated with the Guildhall School.

Table of Contents:
Preface; List of DVD contents; Introduction: the reflective conservatoire; Part I Reflecting on Conservatoires: Prelude - The developing conservatoire; Creativity and conservatoires: the agenda and the issues, Sean Gregory; Part II Reflecting on Performing and Creating: Prelude - Conservatoires, creativity and performance; Breathing and the oboe: a musical, educational and clinical study, Helena Gaunt; Prelude - Improvisation in music and drama; What makes an audience laugh? A practice-based enquiry into comedy in theatre, Kenneth Rea; Back to the future: towards the revival of extemporisation in classical music performance, David Dolan; Prelude - Creative processes in collaboration; Caprice: music and movement research and development project, Anthony Marwood, Mayuri Boonham and Sean Garland; Isambard Kingdom Brunel: toward an industrial opera, Michael Irwin, Matthew King and Nye Parry; Part III Reflecting on Teaching and Learning: Prelude - On education and training; Creating and communicating: a rationale for piano studies in the conservatoire, Paul Roberts; Prelude - Sharing skills and experience; Performance teaching as a form of research, Robin Bowman; Prelude - Research method into practice; Teacher research in a conservatoire, Simon Purcell; Instrumental/vocal teaching and learning in conservatoires: a case study of teachers' perceptions, Helena Gaunt; Part IV - Reflecting on Community and Practice: Prelude - Curriculum, community and outreach; The creative music workshop: a contextual study of its origin and practice, Sean Gregory; Collaborative arts practice and identity: the role of leadership, Jackie Walduck; Prelude - Cultural interaction, environment and exchange; This song can come inside, Richard Benjafield; A British musician in a South African context, Katy Gainham; Transcultural arts practice, Jan Hendrickse and Nathan Thomson; Index; Contents for the DVD are available on our website: www.ashgate.com.

About the Author :
George Odam is Professor at Guildhall School of Music and Drama, London, UK. Dr Nicholas Bannan is from the Institute of Education at the University of Reading, UK.


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Product Details
  • ISBN-13: 9780754654155
  • Publisher: Taylor & Francis Ltd
  • Publisher Imprint: Ashgate Publishing Limited
  • Height: 246 mm
  • Sub Title: Studies in Music Education
  • ISBN-10: 075465415X
  • Publisher Date: 28 Oct 2005
  • Binding: Paperback
  • Series Title: Guildhall Research Studies
  • Width: 189 mm


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