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Home > Art, Film & Photography > Art treatments & subjects > History of art > Artists and Patrons in Post-war Britain: (No 2 Courtauld Research Papers)
Artists and Patrons in Post-war Britain: (No 2 Courtauld Research Papers)

Artists and Patrons in Post-war Britain: (No 2 Courtauld Research Papers)


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About the Book

An examination of art and patronage in Britain during the post-war years. It consists of five case studies, initially written as MA theses, that closely investigate aspects of the mechanisms of patronage outside the state institutions, while indicating structural links within it. The writers have sought to elucidate the relationship between patronage, the production of art and its dissemination. Without seeking to provide an inclusive account of patronage or art production in the early post-war years, their disparate and highly selective papers set up models for the structure of patronage under specific historical conditions. They assume an understanding that works of art are embedded in their social contexts, are products of the conditions under which they were produced, and that these contexts and conditions are complex, fluid and imbricated in one another.

Table of Contents:
British Tachisme in the post-war period, 1946-1957, Fiona Gaskin; a measure of leaven - the early Gregory Fellowships at the University of Leeds, Marian Williams; "a place for living art" - the Whitechapel Art Gallery 1952-1968, Mary Yule; the triumph of "The New American Painting" - MoMA and Cold War cultural diplomacy, Stacy Tenenbaum; "place", Toby Treves.


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Product Details
  • ISBN-13: 9780754600459
  • Publisher: Taylor & Francis Ltd
  • Publisher Imprint: Ashgate Publishing Limited
  • Edition: Illustrated edition
  • Series Title: No 2 Courtauld Research Papers
  • ISBN-10: 0754600459
  • Publisher Date: 17 Jul 2001
  • Binding: Hardback
  • Height: 161 mm
  • Width: 241 mm


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