Surrealism and the Visual Arts by Kim Grant - Bookswagon
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Home > Art, Film & Photography > Art treatments & subjects > History of art > Surrealism and the Visual Arts: Theory and Reception
Surrealism and the Visual Arts: Theory and Reception

Surrealism and the Visual Arts: Theory and Reception


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About the Book

This study traces the development of Surrealist theory of visual art and its reception, from the birth of Surrealism to its institutionalization in the mid-1930s. Situating Surrealist art theory in its theoretical and discursive contexts, Kim Grant demonstrates the complex interplay between Surrealism and the critical expectations of contemporaries. She examines the challenge to Surrealist art raised by the magazine Cahiers d'Art, which promoted a group of young painters dedicated to a liberated and poetic painting process that was in keeping with the formalist evolution of modern art. Grant also discusses the centrality of visual art in Surrealism as a material manifestation of poetry; the significance of poetry in French theories of modern art; and the difficulties faced by an avant-garde movement at a time when contemporary audiences expected revolutionary innovation.

Table of Contents:
Part I. Poetry in the Theory and Criticism of Modern Painting in France: 1. The tradition of poetry and lyricism in French art criticism; 2. Modern painting as poetic language; 3. The discovery of lyricism; 4. André Breton and modern art; Part II. Establishing a Surrealist Visual Art: 5. Defining Surrealism; 6. Defining Surrealist visual art; 7. Surrealism and painting I: the foundation of Surrealist art; 8. La Peinture Surréaliste: the presentation of Surrealist art and its reception; 9. Surrealism and painting II: materialism and morality; Part III. The Threat of Surrealist Art: 10. Initiating the challenge; 11. Surrealism and painting III: avoiding automatism; 12. Appropriating automatism; 13. Realism and Surrealism; Part IV. Poetry Made Concrete: 14. Defying painting; 15. Remaking reality; 16. Automatic style; 17. Conclusion: Surrealism as an institution.

About the Author :
Kim Grant is assistant professor of art history at the University of Southern Maine.

Review :
"Surrealism and the Visual Arts is an excellently researched companion through this hectic journey." The Art Book, Robert Radford, University of East Anglia


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Product Details
  • ISBN-13: 9780521836555
  • Publisher: Cambridge University Press
  • Publisher Imprint: Cambridge University Press
  • Height: 254 mm
  • No of Pages: 416
  • Returnable: N
  • Spine Width: 34 mm
  • Weight: 1128 gr
  • ISBN-10: 0521836557
  • Publisher Date: 22 Feb 2005
  • Binding: Hardback
  • Language: English
  • Returnable: N
  • Returnable: N
  • Sub Title: Theory and Reception
  • Width: 182 mm


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