Embodied Voices
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Embodied Voices: Representing Female Vocality in Western Culture(Series Number 1 New Perspectives in Music History and Criticism)

Embodied Voices: Representing Female Vocality in Western Culture(Series Number 1 New Perspectives in Music History and Criticism)

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About the Book

As a material link between body and culture, self and other, the voice has been endlessly fascinating to artists and critics. Yet it is the voices of women that have inspired the greatest fascination, as well as the deepest ambivalence, because the female voice signifies sexual otherness as well as sexual and cultural power. Embodied Voices explores cultural manifestations of female vocality in the light of current theories of subjectivity, the body and sexual difference. The fourteen essays collected here examine a wide spectrum of discourses, including myth, literature, music, film, psychoanalysis, and critical theory. Though diverse in their critical approaches, the essays are united in their attempt to articulate the compelling yet problematic intersections of gender, voice, and embodiment as they have shaped the textual representation of women and women's self-expression in performance.

Table of Contents:
Introduction; Part I. Vocality, Textuality, and the Silencing of the Female Voice: 1. The Gorgon and the nightingale: the voice of female lament and Pindar's Twelfth Pythian Ode; 2. Music and the maternal voice in Purgatorio XIX; 3. Ophelia's songs in Hamlet: music, madness and the feminine; 4. Wordsworth and Romantic voice: the poet's song and the prostitute's cry; Part II. Anxieties of Audition: 5. 'No women are indeed': the boy actor as vocal seductress in late sixteenth- and early seventeenth-century drama; 6. Deriding the voice of Jeanette MacDonald: notes on psychoanalysis and the American film musical; 7. Adorno and the Sirens: tele-phono-graphic bodies; Part III. Women Artists: Vocality and Cultural Authority: 8. The diva doesn't die: George Eliot's Armgart; 9. Rewriting Ophelia: fluidity, madness, and the voice in Louise Colet's La Servante; 10. Staring the camera down: direct address and women's voices; 11. The voice of lament: female vocality and performative efficacy in the Finnish-Karelian itkuvirsi; Part IV. Maternal Voices: 12. The lyrical dimensions of spirituality: music, voice, and language in the novels of Toni Morrison; 13. Red hot mamas: Bessie Smith, Sophie Tucker, and the ethnic maternal voice in American popular song; 14. Maternalism and the material girl Nancy J. Vickers.


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Product Details
  • ISBN-13: 9780521585835
  • Publisher: Cambridge University Press
  • Publisher Imprint: Cambridge University Press
  • Height: 230 mm
  • No of Pages: 276
  • Returnable: N
  • Series Title: Series Number 1 New Perspectives in Music History and Criticism
  • Sub Title: Representing Female Vocality in Western Culture
  • Width: 154 mm
  • ISBN-10: 052158583X
  • Publisher Date: 05 Dec 1996
  • Binding: Paperback
  • Language: English
  • Returnable: N
  • Returnable: N
  • Spine Width: 16 mm
  • Weight: 458 gr


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