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Home > Society and Social Sciences > Society and culture: general > Social groups, communities and identities > Urban communities > On Loop: Black Sonic Politics in Oakland
On Loop: Black Sonic Politics in Oakland

On Loop: Black Sonic Politics in Oakland


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About the Book

How struggles over Black sound have shaped Oakland's culture, politics, and geography. Chicago has house. Detroit has techno. But Oakland slaps. On Loop explores the role of Black dance music and sonic politics in recurring struggles over race and space in Oakland, California. Insisting on the centrality of sound in everyday social movements—from the mobilization of funk music and boogaloo dance during Black Power to the policing of the Hyphy movement in the 2000s—Alex Werth argues that Black dance music is not merely a soundtrack to or record of urban resistance. Rather, its very sound waves have animated looping clashes over development, dispossession, and Black freedom. Through studies of downtown nightclubs, Lake Merritt, and the Eastmont Mall—geographies rarely considered, yet critical to Oakland's culture and politics—Werth reveals how the liberatory sonic politics of funk, hip-hop, and hyphy rap have been met with a repetitive "war on nuisance." As both a means of empowerment and a magnet for policing, Black dance music has transformed not only Oakland's nightlife, but also its streets, parks, and neighborhoods. On Loop is a rousing encounter with the sound that moves urban life.

Table of Contents:
Contents List of Illustrations Preface: Slaps and the City Introduction: On Black Sonic Politics 1. Oakland Blues: Migration and Melancholy 2. Social Movements: Sounding the Call for Black Power 3. Into the Crack: The War on Nuisance 4. Black Noise: Crime, Grime, and Rhyme 5. The Sideshow: Getting Hyphy at the Margins 6. The Club: Bureaucracy and Banishment 7. Before BBQ Becky: On Loop at Lake Merritt Conclusion: Black Sound, Unbound   Acknowledgments Notes Bibliography Index

About the Author :
Alex Werth is a geographer, DJ, and housing justice advocate.  

Review :
"Sound is inseparable from the movements it becomes defined by—that’s what Werth argues in his dive into the struggles around race and freedom in Oakland, soundtracked to Black dance music."


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Product Details
  • ISBN-13: 9780520416062
  • Publisher: University of California Press
  • Publisher Imprint: University of California Press
  • Height: 229 mm
  • No of Pages: 376
  • Returnable: N
  • Sub Title: Black Sonic Politics in Oakland
  • ISBN-10: 0520416066
  • Publisher Date: 21 Oct 2025
  • Binding: Hardback
  • Language: English
  • No of Pages: 376
  • Returnable: N
  • Width: 152 mm


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