Avant-Garde Performance and the Limits of Criticism
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Avant-Garde Performance and the Limits of Criticism: Approaching the Living Theatre, Happenings/Fluxus, and the Black Arts Movement(Theater: Theory/Text/Performance)

Avant-Garde Performance and the Limits of Criticism: Approaching the Living Theatre, Happenings/Fluxus, and the Black Arts Movement(Theater: Theory/Text/Performance)


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About the Book

Explores the dynamic interactions of performance, politics, and literary criticism in three U.S. countercultures in the 1950s and 60s This pathbreaking book looks at the American avant-garde during the Cold War period, focusing on the interrelated questions of performance practices, cultural resistance, and the politics of criticism and scholarship in the U.S. counter-culture. It develops three case studies - the Living Theatre's influential production The Connection, the earliest productions of performance art, and the poetry and plays of the Black Arts Movement - and examines the role of the scholar and critic in the cultural struggles of radical artists and activists. The book also explores the popularization of the avant-garde, when formerly subversive art is discovered by the mass media, gobbled up by the marketplace, and eventually finds its way onto the syllabi of college and university courses.

About the Author :
Mike Sell is Assistant Professor of English at Indiana University of Pennsylvania.

Review :
"A provocative exploration of relations between the historical avant-garde and Cold War vanguard art and theatre. Sell's compelling historical and cultural narrative shows how the connections between the two exist at a very deep level of radical politics and aesthetics - an amazing concoction of rigorous scholarship, interdisciplinary learning, and progressive theorizing." - Mike Vanden Heuvel, University of Wisconsin, Madison "One of the most sophisticated, engaged, and engaging studies of the avant-garde in the United States that I've read - an important study that will raise the bar not only on scholarship of the Black Arts Movement, but on U.S. avantgardism generally." - James Smethurst, University of Massachusetts"


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Product Details
  • ISBN-13: 9780472114955
  • Publisher: The University of Michigan Press
  • Publisher Imprint: The University of Michigan Press
  • Height: 229 mm
  • No of Pages: 336
  • Series Title: Theater: Theory/Text/Performance
  • Width: 152 mm
  • ISBN-10: 0472114956
  • Publisher Date: 01 Dec 2005
  • Binding: Hardback
  • Language: English
  • Returnable: N
  • Sub Title: Approaching the Living Theatre, Happenings/Fluxus, and the Black Arts Movement


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Avant-Garde Performance and the Limits of Criticism: Approaching the Living Theatre, Happenings/Fluxus, and the Black Arts Movement(Theater: Theory/Text/Performance)
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