Alienation Effects
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Home > Art, Film & Photography > Performing arts > Theatre studies > Alienation Effects: Performance and Self-Management in Yugoslavia, 1945-91(Theater: Theory/Text/Performance)
Alienation Effects: Performance and Self-Management in Yugoslavia, 1945-91(Theater: Theory/Text/Performance)

Alienation Effects: Performance and Self-Management in Yugoslavia, 1945-91(Theater: Theory/Text/Performance)


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About the Book

In the 1970s, Yugoslavia emerged as a dynamic environment for conceptual and performance art. At the same time, it pursued its own form of political economy of socialist self-management. Alienation Effects argues that a deep relationship existed between the democratization of the arts and industrial democracy, resulting in a culture difficult to classify. The book challenges the assumption that the art emerging in Eastern Europe before 1989 was either “official” or “dissident” art; and shows thatthe break up of Yugoslavia was not a result of “ancient hatreds” among its peoples but instead came from the distortion and defeat of the idea of self-management. The case studies include mass performances organized during state holidays; proto-performance art, such as the 1954 production of Waiting for Godot in a former concentration camp in Belgrade; student demonstrations in 1968; and body art pieces by Gina Pane, Joseph Beuys, Marina Abramovic, and others. Alienation Effects sheds new light on the work of well-known artists and scholars, including early experimental poetry by Slavoj Žižek, as well as performance and conceptual artists that deserve wider, international attention.

About the Author :
Branislav Jakovljevic is Associate Professor in the Department of Theater and Performance Studies at Stanford University.

Review :
“A brilliant and much-needed book relevant to debates in art andperformance away from hackneyed Western European/American ideasof neoliberalism and late capitalism—or the tendency to ignore shifts inpolitical and economic structures altogether while mystifying trends inart. One of the most rigorous and original books on performance. . . .In a way that few academic books achieve, it movingly weaves personalhistory with incisively theorized political, economic, and art/performancehistories.” - Amelia Jones, McGill University


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Product Details
  • ISBN-13: 9780472073146
  • Publisher: The University of Michigan Press
  • Publisher Imprint: The University of Michigan Press
  • Height: 229 mm
  • No of Pages: 382
  • Series Title: Theater: Theory/Text/Performance
  • Width: 152 mm
  • ISBN-10: 0472073141
  • Publisher Date: 13 Jun 2016
  • Binding: Hardback
  • Language: English
  • No of Pages: 382
  • Sub Title: Performance and Self-Management in Yugoslavia, 1945-91


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Alienation Effects: Performance and Self-Management in Yugoslavia, 1945-91(Theater: Theory/Text/Performance)
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