Frontline Intelligence 3 by David Greig at Bookstore UAE
Book 1
Book 2
Book 3
Book 1
Book 2
Book 3
Book 1
Book 2
Book 3
Book 1
Book 2
Book 3
Home > Biographies & Memoire > Plays, playscripts > Frontline Intelligence 3: Europe; Uganda; Some Voices; Ashes and Sand(Play Anthologies)
Frontline Intelligence 3: Europe; Uganda; Some Voices; Ashes and Sand(Play Anthologies)

Frontline Intelligence 3: Europe; Uganda; Some Voices; Ashes and Sand(Play Anthologies)


     0     
5
4
3
2
1



International Edition


X
About the Book

The third volume in an anthology series of the most original and exciting new plays for the nineties Europe, set in an international rail station linking several countries examines the cultural shifts of the post Berlin wall years and is "a fierce, compassionate mightily ambitious drama...There is a sharp analytic intelligence...about this gripping play." (The Scotsman) Uganda is set in a front sitting room but explores children's love of their fathers, it won the Thames Television Best Play Award in 1994 and "confirms my feeling that Johnson is on the threshold of great things" (Guardian). Some Voices by Joe Penhall, looks at mental illness and the love between two brothers (it has since been made into a feature film), it is "haunting and jazzily contemporary. Penhall's post-Pinter is promising" (Observer). Ashes and Sand reflects on the world of school leavers in England's "Deep South" and won the George Devine Award in 1994: "Judy Upton's vicious little hand grenade of a play...takes us into the bleak world of a violent girl gang living in a seaside resort." (Independent)

About the Author :
David Greig's plays include A Savage Reminiscence and And the Opera House Remained Unbuilt (Edinburgh Festival), Petra's Explanation (Traverse, Edinburgh), Stalinland (Edinburgh Festival - Fringe First, and Glasgow Citizens') and The Cosmonaut's Last Message to the Woman He Once Loved in the Former Soviet Union (Paines Plough, Lyric Hammersmith, Tron Glasgow and tour). TV: Nightlife (winner BBC Double Exposure comptition. Radio: Copper Sulphate, The Commuter. Judith Johnson is from Liverpool, and has had many stage plays produced including Working Away (Soho Poly, 1989); The Edge and Le Camp (commuinity plays which toured London's East End); Death Party (devised for the Liverpool Everyman's 'Acting Up' course); The Scrappie for Red Ladder Theatre Company, which did a national tour of youth clubs; and Los Escombros, commissioned by the National Theatre Education Department and performed by the National's Young People's Theatre Group in 1992. Nowheresville was shortlisted for the Verity Bargate Award and Somewhere was produced at the Liverpool Everyman and in the Cottesloe Theatre at the National in 1993. It is published by Methuen Drama in Frontline Intelligence 1. Uganda was produced at the Royal Court Theatre in association with the National's Studio in 1995, and is published by Methuen Drama in Frontline Intelligence 3. Stone Moon, a short play for young actors was published by Methuen Drama in Making Scenes 1. Joe Penhall's plays include Some Voices (1994); Pale Horse (1995); In Love and Understanding (1997); The Bullet (1998), Blue/Orange (2000 - Evening Standard Best Play Award, the Critics' Circle Award for Best New Play and the 2001 Olivier Award for Best New Play), Haunted Child (2011), Birthday (2012) and Sunny Afternoon (2014). Judy Upton was born in Shoreham-by-Sea, Sussex. Her first stage play, Everlasting Rose, was produced at London New Play Festival in 1992. In 1994 she won the George Devine Award for Ashes and Sand, which was produced in that year at the Royal Court Theater Upstairs, and the Verity Bargate award for Bruises, which was co-produced by the Royal Court and Soho Theatre Company at the Theatre Upstairs in 1995. Judy's other stage plays are: Temple (The Room, Richmond Orange Tree, 1995); The Shorewatchers House (The Red Room, Kentish Town 1996); Stealing Souls (The Red Room, 1996); Sunspots (The Red Room, 1996, transferred to BAC); People on the River (The Red Room at the Finborough, 1997); To Blusher with Love (Winner of the Open Stages Competition, 1997); The Girlz (The Room, Richmond Orange Tree, 1998); Know Your Rights (The Red Room at BAC, 1998) and Sliding with Suzanne (Royal Court/Out-of-Joint, 2001). Upton is currently writer in residence with The Red Room.


Best Sellers


Product Details
  • ISBN-13: 9780413694300
  • Publisher: Bloomsbury Publishing PLC
  • Publisher Imprint: Methuen Drama
  • Height: 210 mm
  • No of Pages: 256
  • Returnable: Y
  • Sub Title: Europe; Uganda; Some Voices; Ashes and Sand
  • Width: 145 mm
  • ISBN-10: 0413694305
  • Publisher Date: 17 Jul 1995
  • Binding: Paperback
  • Language: English
  • Returnable: Y
  • Series Title: Play Anthologies
  • Weight: 399 gr


Similar Products

Add Photo
Add Photo

Customer Reviews

REVIEWS      0     
Click Here To Be The First to Review this Product
Frontline Intelligence 3: Europe; Uganda; Some Voices; Ashes and Sand(Play Anthologies)
Bloomsbury Publishing PLC -
Frontline Intelligence 3: Europe; Uganda; Some Voices; Ashes and Sand(Play Anthologies)
Writing guidlines
We want to publish your review, so please:
  • keep your review on the product. Review's that defame author's character will be rejected.
  • Keep your review focused on the product.
  • Avoid writing about customer service. contact us instead if you have issue requiring immediate attention.
  • Refrain from mentioning competitors or the specific price you paid for the product.
  • Do not include any personally identifiable information, such as full names.

Frontline Intelligence 3: Europe; Uganda; Some Voices; Ashes and Sand(Play Anthologies)

Required fields are marked with *

Review Title*
Review
    Add Photo Add up to 6 photos
    Would you recommend this product to a friend?
    Tag this Book Read more
    Does your review contain spoilers?
    What type of reader best describes you?
    I agree to the terms & conditions
    You may receive emails regarding this submission. Any emails will include the ability to opt-out of future communications.

    CUSTOMER RATINGS AND REVIEWS AND QUESTIONS AND ANSWERS TERMS OF USE

    These Terms of Use govern your conduct associated with the Customer Ratings and Reviews and/or Questions and Answers service offered by Bookswagon (the "CRR Service").


    By submitting any content to Bookswagon, you guarantee that:
    • You are the sole author and owner of the intellectual property rights in the content;
    • All "moral rights" that you may have in such content have been voluntarily waived by you;
    • All content that you post is accurate;
    • You are at least 13 years old;
    • Use of the content you supply does not violate these Terms of Use and will not cause injury to any person or entity.
    You further agree that you may not submit any content:
    • That is known by you to be false, inaccurate or misleading;
    • That infringes any third party's copyright, patent, trademark, trade secret or other proprietary rights or rights of publicity or privacy;
    • That violates any law, statute, ordinance or regulation (including, but not limited to, those governing, consumer protection, unfair competition, anti-discrimination or false advertising);
    • That is, or may reasonably be considered to be, defamatory, libelous, hateful, racially or religiously biased or offensive, unlawfully threatening or unlawfully harassing to any individual, partnership or corporation;
    • For which you were compensated or granted any consideration by any unapproved third party;
    • That includes any information that references other websites, addresses, email addresses, contact information or phone numbers;
    • That contains any computer viruses, worms or other potentially damaging computer programs or files.
    You agree to indemnify and hold Bookswagon (and its officers, directors, agents, subsidiaries, joint ventures, employees and third-party service providers, including but not limited to Bazaarvoice, Inc.), harmless from all claims, demands, and damages (actual and consequential) of every kind and nature, known and unknown including reasonable attorneys' fees, arising out of a breach of your representations and warranties set forth above, or your violation of any law or the rights of a third party.


    For any content that you submit, you grant Bookswagon a perpetual, irrevocable, royalty-free, transferable right and license to use, copy, modify, delete in its entirety, adapt, publish, translate, create derivative works from and/or sell, transfer, and/or distribute such content and/or incorporate such content into any form, medium or technology throughout the world without compensation to you. Additionally,  Bookswagon may transfer or share any personal information that you submit with its third-party service providers, including but not limited to Bazaarvoice, Inc. in accordance with  Privacy Policy


    All content that you submit may be used at Bookswagon's sole discretion. Bookswagon reserves the right to change, condense, withhold publication, remove or delete any content on Bookswagon's website that Bookswagon deems, in its sole discretion, to violate the content guidelines or any other provision of these Terms of Use.  Bookswagon does not guarantee that you will have any recourse through Bookswagon to edit or delete any content you have submitted. Ratings and written comments are generally posted within two to four business days. However, Bookswagon reserves the right to remove or to refuse to post any submission to the extent authorized by law. You acknowledge that you, not Bookswagon, are responsible for the contents of your submission. None of the content that you submit shall be subject to any obligation of confidence on the part of Bookswagon, its agents, subsidiaries, affiliates, partners or third party service providers (including but not limited to Bazaarvoice, Inc.)and their respective directors, officers and employees.

    Accept


    Inspired by your browsing history


    Your review has been submitted!

    You've already reviewed this product!