The King in the Tree

From the author of Edwin Mullhouse and the Pulitzer Prize-winning Martin Dressler: three dazzling novellas about the many shapes of love. Revenge is a tour de force about erotic love and betrayal, told through the voice of a woman showing her home to a stranger with a disturbing secret. As the once-happy wife moves from living room to bedroom, she insinuates herself into her guest's (and the reader's) mind--and we witness the gradual unfolding of a carefully meditated scheme of revenge. An Adventure of Don Juan and the title novella transform classic fables into immediate, wholly original tales of romance. The first puts the famous lover on a country estate in England, where he attempts to perpetrate a brilliant seduction only to discover something surprising about the human heart. In the mesmerizing The King in the Tree, Millhauser explores devotion and denial, casting the tragedy of Tristan and Ysolt as an engrossing tale of a king's infatuation with his beautiful wife--and the agony of her betrayal with his own nephew. Full of passion, trysting, and fatal pleasures, these three brilliant novellas are rich with the many gifts of our most persistently imaginative romancer. From the Hardcover edition.

Review :
"Millhauser can get drunk on words, but he's honed his voice...and uses his lush prose and archetypal motifs to trace the outer arcs of passion, places where eros and violence meet....As the old maps say: Here be monsters. This writer is in love with a large, very beautiful tiger, and at its best the fiction he produces is an exquisite negotiation with the beast.." -Laura Miller, "New York Times Book Review "(front page review)" " "The secret lies in the unhurried elegance of his sentences: Millhauser know how not to overwrite, to let exactly as many small words as necessary do the work rather than straining to impress. He never fumbles a word out of place, never lets fall an unfelicitous phrase, and especially never looks down during his high-wire imaginative act." -Jesse Berrett, "San Francisco Chronicle" "These three tales, each in different ways, confirm Millhauser's reputation as a master stylist." -Roger Harris, "Sunday Star-Ledger " "In exploring worlds and selves so out-of-joint, Millhauser delves into our own multiple natures and sees us as we are: both shadowed and illuminated, in pieces yet whole. It makes for powerful, spellbinding reading." -Michael Upchurch, "Seattle Times" "In some ways, Millhauser is one of our greatest living 19th century writers.... "The King in the Tree" is a moving, melancholy book about the unlovely toll exacted by love on those it has abandoned." -Jeff Turrentine, "Los Angeles Times" "An ingenious geometer of love triangles, Millhauser tinkers with tested formulas in these three novellas, while giving full rein to his taste for the fantastical....[His] shrewd sense of psychology makes his characters' impulsestoward romantic excess manifestly believable." -"New Yorker" "No one alive writes better about yearning and heartbreak. So enchanting is his prose, so delicate his touch, that one surrenders to his plangent word-music as one does to the wistful piano pieces of Ravel and Chopin." -Michael Dirda, "Washington Post Book World" "Millhauser's writing is dazzling . . . [with] heart as well as fierce intelligence, and that combination, to my mind, signifies greatness." -David Leavitt, "Esquire " "[Millhauser's] latest book, a triptych of novellas, further confirms what w have come to understand about him: his brilliance in using language and his creativity in technique and subject matter...["Revenge"] casts an intelligent eye on the undeniable intersection of sex and violence...The title novella is told with both care and understanding of history and legend as well as astuteness in calling attention to the universality of love's complications." -Brad Hooper, "Booklist" (starred and boxed review) "There is nothing lighthearted about love, implies Millhauser, in these three dark and feverishly rich novellas...[His] portrayal of fools and self-made victims is unblinking and unsentimental. He is particularly attuned to the ways that people fall out of love...at his best dramatizing these moments of ambivalent hesitation and the disastrous effect they have on the 'fellowships of two.' Though he covers time-honored territory, Millhauser's precision, coupled with his brave imagination, makes these stories as smart and fresh as they are grim." -"Publishers Weekly" (starred review) "Some of the best writing of Millhauser's increasingly brilliant career appears inthis collection of three imaginative and unusual novellas. "Revenge..."is a very clever psychological horror story, which creates out of simple declarative sentences a thickening atmosphere of menace and suspense. "An Adventure of Don Juan" brings the notorious seducer, bored with easy conquests, to England...Best of all is the title story, Millhauser's version of the medieval romance of Tristan and Ysolt...It's an unforgettable dramatization of the many faces of love and loyalty. Wonderful work, from one of the authentic magic-makers." "-Kirkus" (starred review) "[Millhauser] creates a world that is exquisite in its tortures and terrors, a world which only the heightened consciousness of an artist of a dreamer could inhabit." -William Kennedy" " "Such intelligence, wit and compassion that a reviewer's catalogue of superlatives is inadequate to it." -Jonathan Yardley " " "From the Hardcover edition." "No one alive writes better about yearning and heartbreak. . . . Before such mastery, a reader can do nothing but bow his head." --"The "Washington Post Book World "Millhauser . . . uses his lush prose and archetypal motifs to trace the outer arcs of passion, places where eros and violence meet. . . . This writer is in love with a large, very beautiful tiger, and at its best the fiction he produces is an exquisite negotiation with the beast." --"The New York Times Book Review "[Millhauser] seeks always to spellbind rather than merely to entertain . . . . He never fumbles a word out of place, never lets fall an unfelicitous phrase, and especially never looks down during his high-wire imaginative act." - "San Francisco Chronicle "In a mere 80 pages or so, [Millhauser] can whistle up worlds as bright and intricate as a Mozart piano sonata or as ominous and ethereal as a Charles Ives symphony . . . powerful, spellbinding reading." --"The Seattle Times "An ingenious geometer of love triangles, Millhauser tinkers with tested formulas in these three novellas, while giving full rein to his taste for the fantastical. . . . [His] shrewd sense of psychology makes his characters' impulses toward romantic excess manifestly believable." -"The New Yorker" "Coursing through these novellas are such literary ghosts as Byron, Wagner-as-librettist, Matthew Arnold and Alfred Lord Tennyson." . . . But when Millhauser is plumbing the mysteries of the human heart, there's no question that he is writing after, not before, Sigmund Freud-and Kate Chopin, and John Updike and the sexual revolution. . . . "The King in the Tree is a moving, melancholy book about the unlovely toll exacted bylove on those it has abandoned." -"Los Angeles Times "Ever finish a book that was so good you ached to grab the collar of the next passer-by and shout in his unsuspecting face, 'Read this! You have got to read this!'? Steven Millhauser writes that kind of book." -"San Diego Union Tribune "Among [Millhauser's] best. . . ." The King in the Tree is a flawless retelling of the story of Tristan and Iseult. . . . Astonishingly, Millhauser creates a version that though modern reads like a newly discovered medieval tale. . . . His story will live with the older versions, and Richard Wagner's, as part of the myth." -"Boston Globe "Reading a book by Steven Millhauser is like tumbling down Alice's rabbit hole. In the Millhauser Wonderland, time reels backward, life is but a fairy tale, and figures of mythology rule the universe. . . . All three of the novellas that make up" The King in the Tree inhabit eerie realms of the imagination. Here men and women yearn for love, but it's a poison more often than a tonic." -"Newsday "These three tales, each in different ways, confirm Millhauser's reputation as a master stylist." -"Newark Sunday Star-Ledger "Millhauser is our most brilliant practicing romantic, for whom surface reality is merely an uninteresting illusion, and ultimate reality is always artifice." -"Milwaukee Journal Sentinel "All three of the novellas have Millhauser's gifted storytelling voice going for them-a voice that grabs the reader by the ear and makes him pay attention." -"Rocky Mountain News "Millhauser's characters are poignantly likable. They hurt, long and love like the rest of us. . . . Sentence by sentence, Millhauser displays awesome control."-"Minneapolis Star-Tribune "Millhauser's three novellas are marvels of craftmanship and inventiveness . . . a storytelling "tour de force and an emotional rollercoaster ride." -"Richmond Times-Dispatch