The Hope of Another Spring: Takuichi Fujii, Artist and Wartime Witness(The Hope of Another Spring)

Takuichi Fujii (1891-1964) left Japan in 1906 to make his home in Seattle, where he established a business, started a family, and began his artistic practice. When war broke out between the United States and Japan, he and his family were incarcerated along with the more than 100,000 ethnic Japanese located on the West Coast. Sent to detention camps at Puyallup, Washington, and then Minidoka in Idaho, Fujii documented his daily experiences in words and art. The Hope of Another Spring reveals the rare find of a large and heretofore unknown collection of art produced during World War II. The centerpiece of the collection is Fujii's illustrated diary that historian Roger Daniels has called "the most remarkable document created by a Japanese American prisoner during the wartime incarceration."

Barbara Johns presents Takuichi Fujii's life story and his artistic achievements within the social and political context of the time. Sandy Kita, the artist's grandson, provides translations and an introduction to the diary. The Hope of Another Spring is a significant contribution to Asian American studies, American and regional history, and art history.

Foreword by Roger Daniels

Acknowledgments

Introduction

1. Another Spring: Biography

2. Painting and Recognition in the 1930s

3. An Issei Diary of World War II

4. Public and Private: Expanding upon the Diary

5. Abstract Expressions

MinidokaXX The Art Diary of Takuichi Fujii

Introduction to the Diary: The Nature of the Workand of Its Translation, by Sandy Kita

Art Diary / Takuichi Fujii

Transcription by Honda Shōjō

Translation by Sandy Kita with Honda Shōjō

Appendix 1. Artist Statement

Appendix 2. Exhibition History

Barbara Johns, PhD, is a Seattle-based art historian and curator. She is the author of Signs of Home: The Paintings and Wartime Diary of Kamekichi Tokita.

"While this book will be of particular interest to institutions in the Northwest (and Chicago), where Fujii was professionally active, it is broadly relevant and widely recommended as American History. Fujii's diary is approachable and intimate documentation of an under-emphasized chapter and perspective, and Barbara Johns brings welcome attention and analysis to this artist and his work."

"The book and exhibition, together, shed a powerful new light on a troubling chapter in U.S. history. . . . Compelling as both artwork and history."

"This altogether beautiful book by noted Seattle-based art historian and curator Barbara Johns strikingly testifies to the oft-stated judgment that a picture is worth a thousand words."