Mapping the Cultural Space of Journalism: How Journalists Distinguish News from Entertainment

Addressing the controversial issues of the blurring boundaries between news and entertainment and the movement toward sensationalism in broadcast journalism, this study examines these distinctions: how boundaries are constructed and by whom; how they are enforced or broken and why. Rather than reflecting essential attributes by which news can be distinguished from other kinds of communication, boundary setting is viewed as a social construction, determined and changed by journalists wishing to assert their jurisdiction and authority and the prestige of the profession. Four instances of boundary-work rhetoric are examined in depth: (1) the development of roles and rules of television journalism during the early years of television; (2) attempts at Congressional and FTC regulation—broadcasting codes defining bona fide news; (3) responses to a 1992 journalistic scandal over a Dateline NBC story on exploding GM pickup trucks, and (4) reporting sex scandals during recent political campaigns, such as the allegations of Gennifer Flowers of her involvement with Bill Clinton. In these and other cases, journalists developed strategies to minimize harm to the profession.

Table of Contents:
Preface The Cultural Space of Journalism The Boundary-Work Approach The Evolution of Television News Mission Impossible?: When Government Tries to Define News Protecting the Cultural Authority of Journalism by Sanctioning Deviance The Clinton & Flowers Story: Too "Good" to Pass Up Conclusions References Index

About the Author :
SAMUEL P. WINCH is Assistant Professor of Journalism at Bowling Green State University in Ohio. His areas of special interest include journalism ethics, visual journalism, and computer-mediated journalism.

Review :
?[T]his book deserves commendation for its careful and historical analysis.?-Afterimage ?Winch has written a highly personal yet scholarly description of the difference between 'tabloid' and 'mainstream' journalism, i.e., between information that is amusing and information that is important. The boundaries between these heretofore discrete entities have become blurred. Basing this discussion in part on the work of sociologist Thomas Gieryn, the author provides a useful description of how the boundaries are perceived, drawn, and enforced.... Nontraditional media such as the tabloids have been largely ignored by journalism researchers, and this book fills that gap.?-Choice "ÝT¨his book deserves commendation for its careful and historical analysis."-Afterimage "[T]his book deserves commendation for its careful and historical analysis."-Afterimage "Winch has written a highly personal yet scholarly description of the difference between 'tabloid' and 'mainstream' journalism, i.e., between information that is amusing and information that is important. The boundaries between these heretofore discrete entities have become blurred. Basing this discussion in part on the work of sociologist Thomas Gieryn, the author provides a useful description of how the boundaries are perceived, drawn, and enforced.... Nontraditional media such as the tabloids have been largely ignored by journalism researchers, and this book fills that gap."-Choice