About the Book
Guide to the Euphonium Repertoire is the most definitive publication on the status of the euphonium in the history of this often misunderstood and frequently under-appreciated instrument. This volume documents the rich history, the wealth of repertoire, and the incredible discography of the euphonium. Music educators, composers/arrangers, instrument historians, performers on other instruments, and students of the euphonium (baritone horn, tenor tuba, etc.) will find the exhaustive research evident in this volume's pages to be compelling and comprehensive.
Contributors are Lloyd Bone, Brian L. Bowman, Neal Corwell, Adam Frey, Marc Dickman, Bryce Edwards, Seth D. Fletcher, Carroll Gotcher, Atticus Hensley, Lisa M. Hocking, Sharon Huff, Kenneth R. Kroesche, R. Winston Morris, John Mueller, Michael B. O'Connor, Eric Paull, Joseph Skillen, Kelly Thomas, Demondrae Thurman, Matthew J. Tropman, and Mark J. Walker.
Table of Contents:
Contents
Foreword, R. Winston Morris
Preface
Acknowledgments, Lloyd E. Bone Jr.
Acknowledgments, Eric Paull
1. A Short History of the Euphonium and Baritone Horn, Michael B. O'Connor
2. Music for Euphonium and Keyboard, Lloyd Bone
Works Listed by Composer
Works Listed by Title
Euphonium and Keyboard Collections
Euphonium and Organ
French Euphonium Solos with Keyboard
3. Music for Euphonium and Wind Band, Adam Frey
4. Music for Euphonium and Brass Ensemble, Adam Frey
5. Music for Euphonium and Orchestra, Adam Frey
6. Music for Euphonium in Mixed Ensemble, Seth D. Fletcher
Two Players
Three Players
Four Players
Five Players
Six Players
Seven Players
Eight Players
Nine Players
Ten Players
Eleven Players
Twelve Players
Thirteen Players
Fourteen Players
7. Music for Unaccompanied Euphonium, Neal Corwell
8. Music for Euphonium and Electronic Media, Neal Corwell
9. Music for Multiple Euphoniums, Seth D. Fletcher
Two Part
Three Part
Four Part
Five Part
Six Part
Eight Part
Nine Part
Twelve Part
10. Recommended Repertoire Written for Other Instruments, Sharon Huff
Euphonium with Piano
Unaccompanied Solos
Collections
Method Books
Two Euphoniums
Three Euphoniums
Four Euphoniums
11. Methods and Studies, Brian Bowman
12. Band and Orchestral Excerpts, Brian Bowman
13. Recommended Basic Repertoire
For the High School Student, Carroll Gotcher and Atticus Hensley
For the University Student, Brian L. Bowman
For U.S. Military Band Auditions, Brian L. Bowman
For High School and College Tuba/Euphonium Quartets, Sharon Huff
14. Discography, Eric Paull
Euphonium Recordings by Artist
Euphonium Recordings by Title
Euphonium Recordings by Composer
Addresses of Recording Companies/Distributors
15. Bibliography, Kenneth R. Kroesche
Books
Dissertations, Theses, and Research Projects
Articles
References
16. Euphonium Composer Biographies, Mark Walker
17. Biographical Sketches of Professional Euphoniumists, Bryce Edwards
18. Guide to Trombone/Euphonium Doubling, John Mueller
19. The Euphonium in Jazz, Marcus Dickman
20. Equipment, Demondrae Thurman
Euphonium Manufacturers and Distributors and Their Products
Euphonium Mouthpieces and Accessories
Specialized Repair Sources
Appendix A: Composers', Publishers', and Manufacturers' Addresses, Joseph Skillen
Appendix B: Recording the Euphonium, Neal Corwell
Appendix C: Continuing Symposia, Competitions, Events, Festivals, and Summer Study, Lisa M. Hocking and Matthew J. Tropman
Appendix D: The Freelance Euphoniumist, Bryce Edwards
Contributors
Index, Kelly Thomas
About the Author :
Lloyd Bone is Visiting Assistant Professor of Music at Glenville State College in Glenville, West Virginia.
Eric Paull is Adjunct Professor of Music at Austin Peay State University in Clarksville, Tennessee.
R. Winston Morris is Professor of Music and Instructor of Tuba and Euphonium at Tennessee Technological University, in Cookeville, Tennessee, where he has been on the faculty since 1967.
Review :
". . . outstanding documentation of the low brass repertoire . . . indispensable acquisitions for any library supporting tuba/euphonium studies. . . . Essential. Lower-level undergraduates through professionals/practitioners."—Choice
"This text is so loaded with important information for the euphonium that it simply cannot be . . . thought of as anything but one of the most essential texts every serious low brass player must have . . ."—ITEA Journal
