Introduction to Documentary
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Introduction to Documentary

Introduction to Documentary


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About the Book

This new edition of Bill Nichols's bestselling text provides an up-to-date introduction to the most important issues in documentary history and criticism. Designed for students in any field that makes use of visual evidence and persuasive strategies, Introduction to Documentary identifies the distinguishing qualities of documentary and teaches the viewer how to read documentary film. Each chapter takes up a discrete question, from "How did documentary filmmaking get started?" to "Why are ethical issues central to documentary filmmaking?" Carefully revised to take account of new work and trends, this volume includes information on more than 100 documentaries released since the first edition, an expanded treatment of the six documentary modes, new still images, and a greatly expanded list of distributors.

Table of Contents:
Contents Acknowledgments Introduction 1. How Can We Define Documentary Film? 2. Why Are Ethical Issues Central to Documentary Filmmaking? 3. What Gives Documentary Films a Voice of Their Own? 4. What Makes Documentaries Engaging and Persuasive? 5. How Did Documentary Filmmaking Get Started? 6. How Can We Differentiate among Documentaries? Categories, Models, and the Expository and Poetic Modes of Documentary Film 7. How Can We Describe the Observational, Participatory, Reflexive, and Performative Modes of Documentary Film? 8. How Have Documentaries Addressed Social and Political Issues? 9. How Can We Write Effectively about Documentary? Notes on Source Material Filmography List of Distributors, Internet Distribution Venues, Internet Search Engines, and International Distributors Index

About the Author :
Bill Nichols is Professor of Cinema at San Francisco State University and author of Representing Reality: Issues and Concepts in Documentary (IUP, 1992) and Blurred Boundaries: Questions of Meaning in Contemporary Culture (IUP, 1995).

Review :
"This engaging, thoughtful, accessible, and comprehensive work will stimulate many to teach documentary film." Choice "Bill Nichols' succinct Introduction to Documentary would make an ideal textbook, and that's no back-handed compliment. Patiently, almost tenderly, the author leads the reader step by step through the thicket of moral, political, aesthetic and technological issues documentary film raises - writing in a clean style that doesn't simplify ideas so much as distil them. As hapless tutors groping for a pat definition know, documentary is an exasperatingly 'fuzzy' mode whose tactics of representation can't always be distinguished from those of fiction. Cutting to the quick of the matter, Nichols suggest that the main difference is epistemological. Where fiction suspends our disbelief regarding the imaginary world it portrays, documentary whets our intellectual curiosity about the world out there. But since distortions are possible - indeed necessary - it becomes a question of faith on the viewer's part and scruples on the film-maker's. The most original pages draw on Aristotelian first principles to propose documentary as a branch of rhetoric that sways us by fair means or foul. Decidedly the latter in the case of Leni Riefensahl's propaganda classic 'Triumph of the Will' (1936, left) - rather startlingly pegged as an observational documentary in the sense that its stage-managed events are offered without overt editorializing. Whenever feasible, however, Nichols cites works beyond the official canon, a practice that lends the book much vitality while affirming those democratic values the best documentaries continue to exemplify." Sight & Sound (August 2002)


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Product Details
  • ISBN-13: 9780253222602
  • Publisher: Indiana University Press
  • Publisher Imprint: Indiana University Press
  • Edition: New edition
  • Language: English
  • Returnable: N
  • Weight: 567 gr
  • ISBN-10: 0253222605
  • Publisher Date: 07 Dec 2010
  • Binding: Paperback
  • Height: 229 mm
  • No of Pages: 277
  • Spine Width: 25 mm
  • Width: 152 mm


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