The Pitards: (Penguin Modern Classics)

A superb new translation by David Bellos of Simenon's haunting, rediscovered masterpiece After many years spent at sea, Captain Lannec finally manages to buy his own vessel, but not without the financial help of his in-laws, the Pitards. In return, his wife insists on accompanying him on the ship's first voyage and her presence on board makes him feel increasingly uneasy, especially after the threatening anonymous note he received before setting sail from Rouen. First published in 1935, The Pitards was one of the first novels Simenon wrote when he shelved his famous Maigret series in order to strike out in a new direction and make a name for himself as a literary writer rather than a creator of genre fiction. This captivating evocation of life at sea revolves around the claustrophobia of class snobbery and the tense unravelling of relationships conducted at close quarters, powerful themes that Simenon would return to throughout his writing career.

About the Author :
Georges Simenon was born in Li ge, Belgium in 1903. An intrepid traveller with a profound interest in people, Simenon strove on and off the page to understand, rather than to judge, the human condition in all its shades. His novels include the Inspector Maigret series and a richly varied body of wider work united by its evocative power, its economy of means, and its penetrating psychological insight. He is among the most widely read writers in the global canon. He died in 1989 in Lausanne, Switzerland, where he had lived for the latter part of his life.

Review :
One of the greatest writers of the twentieth century...Simenon was unequalled at making us look inside, though the ability was masked by the brilliance at absorbing us obsessively in his stories. Fierce, bleak and compellingly written . . . with pitiless landscapes of hopeless longing, random cruelty and galloping fate warmed only by the twilit lyricism of doomed desire. These are novels of eye-opening, spine-tingling control and intensity. The romans durs are extraordinary: tough, bleak, offhandedly violent, suffused with guilt and bitterness, redolent of place . . . utterly unsentimental, frightening in the pitilessness of their gaze, yet wonderfully entertaining. A supreme writer . . . unforgettable vividness. One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories Fierce, bleak and compellingly written . . . with pitiless landscapes of hopeless longing, random cruelty and galloping fate warmed only by the twilit lyricism of doomed desire. These are novels of eye-opening, spine-tingling control and intensity. The romans durs are extraordinary: tough, bleak, offhandedly violent, suffused with guilt and bitterness, redolent of place . . . utterly unsentimental, frightening in the pitilessness of their gaze, yet wonderfully entertaining A supreme writer . . . unforgettable vividness