Landmarks

SHORTLISTED FOR THE SAMUEL JOHNSON PRIZE 2015 Landmarks is Robert Macfarlane's joyous meditation on words, landscape and the relationship between the two. Words are grained into our landscapes, and landscapes are grained into our words. Landmarks is about the power of language to shape our sense of place. It is a field guide to the literature of nature, and a glossary containing thousands of remarkable words used in England, Scotland, Ireland and Wales to describe land, nature and weather. Travelling from Cumbria to the Cairngorms, and exploring the landscapes of Roger Deakin, J. A. Baker, Nan Shepherd and others, Robert Macfarlane shows that language, well used, is a keen way of knowing landscape, and a vital means of coming to love it. Praise for Robert Macfarlane: 'He has a poet's eye and a prose style that will make many a novelist burn with envy' John Banville, Observer "I'll read anything Macfarlane writes" David Mitchell, Independent 'Every movement needs stars. In [Macfarlane] we surely have one, burning brighter with each book.' Telegraph '[Macfarlane] is a godfather of a cultural moment' Sunday Times

About the Author :
Robert Macfarlane is the author of Mountains of the Mind, The Wild Places, The Old Ways, Landmarks, and The Lost Words, co-created with Jackie Morris. Mountains of the Mind won the Guardian First Book Award and the Somerset Maugham Award and The Wild Places won the Boardman-Tasker Award. Both books have been adapted for television by the BBC. The Lost Words won the Books Are My Bag Beautiful Book Award and the Hay Festival Book of the Year. He is a Fellow of Emmanuel College, Cambridge, and writes on environmentalism, literature and travel for publications including the Guardian, the Sunday Times and The New York Times.

Review :
Publisher's description. The number one bestselling book from the author of The Old Ways. This is a celebration of the special relationship between language and place, a field guide to nature writers from Roger Deakin to Nan Shepherd, and a glossary containing thousands of remarkable, poetic, funny, peculiar and endangered words to describe the natural world. Thoughtful and lyrical writing . . . It's gorgeous Enormously pleasurable, deeply moving . . . Landmarks is both a bid to save our rich hoard of landscape language, and a blow struck for the power of a deep creative relationship to place His writing has a confidence and enjoyment, a passionate purpose . . . he celebrates our vast, but evaporating, vocabulary for the landscape A story like this is salutary...Landmarks is a book that ought to be read by policymakers, educators, armchair environmentalists and active conservationists the world over. The writing is full of clarity and internal reflections and the chapters ripple over into each other like a linked chain of mountain pools.... What is remarkable about these words is how precise they are, and how deeply local. They feel as if they somehow grew out of the land itself. A delight. The mood is one of celebration... [Landmarks is] the product of an active academic intelligence and emotional generosity, irradiated by a profound sense of wonder... Few books give such a sense of enchantment; it is a book to give to many, and to return to repeatedly