Towers in the Void: Li Yu and Early Modern Chinese Media

The maverick cultural entrepreneur Li Yu survived the tumultuous Ming-Qing dynastic transition of the mid-seventeenth century through a commercially successful practice founded on intermedial experimentation. He engaged an astonishingly broad variety of cultural forms: from theatrical performance and literary production to fashion and wellness; from garden and interior design to the composition of letters and administrative documents. Drawing on his nonliterary work to reshape his writing, he translated this wide-ranging expertise into easily transmittable woodblock-printed form. Towers in the Void is a groundbreaking analysis of Li Yu's work across these varied fields. It uses the concept of media to traverse them, revealing Li Yu's creative enterprise as a remaking of early modern media forms. S. E. Kile argues that Li Yu's cultural experimentation exploits the seams between language and the tangible world. He draws attention to the materiality of particular media forms, expanding the scope of early modern media by interweaving books, buildings, and bodies. Within and across these media, Li Yu's cultural entrepreneurship with the technology of the printed book embraced its reproducibility while retaining a personal touch. His literary practice informed his garden design and, conversely, he drew on garden design to transform the vernacular short story. Ideas for extreme body modification in Li Yu's fiction remade the possibilities of real human bodies in his nonfiction writing. Towers in the Void calls for seeing books, bodies, and buildings as interlinked media forms, both in early modern China and in today's media-saturated world, positioning the Ming and Qing as a crucial site of global early modern cultural change.

About the Author :
S. E. Kile is assistant professor of Chinese literature at the University of Michigan, Ann Arbor.

Review :
Far more than an updated study of a single author, this is a groundbreaking work that takes on not just another topic in material objects, print culture, or book history but instead the whole domain of media. Kile has erected a beaming tower, signaling a brave new direction for a whole younger generation of scholars to follow.-- "Journal of Asian Studies" With its incisive analysis, eloquent writing, and integrated use of theories, this book is of great value for scholars in literature, print culture, and material culture.-- "H-Material-Culture" It is only a matter of time before studies on Li Yu will be categorized by whether they came before or after Towers in the Void, and it will undoubtedly inspire scholars of early-modern China and global early-modern print culture.-- "CHINOPERL" A brilliant new conceptualization of the maverick Li Yu as entrepreneur, designer, playwright, and multimedia specialist. Kile's daring, astute study of this most original seventeenth-century Chinese writer grabs you from page one. A true tour de force.--Judith Zeitlin, author of The Phantom Heroine: Ghosts and Gender in Seventeenth-Century Chinese Literature In this important and absorbing study of Li Yu, Kile shows how thinking through media in its multiple forms--print culture, the sights and sounds of the theater, spatial constructs, the human body--yields fresh insights into early modern China.--Wai-yee Li, author of The Promise and Peril of Things: Literature and Material Culture in Late Imperial China Li Yu had a career as full of twists as his stories are. Taking media innovation as the thread that connects Li Yu's many activities, this study opens new windows in his floating towers and adds arias to his silent operas.--Haun Saussy, author of The Making of Barbarians: Chinese Literature and Multilingual Asia Towers in the Void provides authoritative new insights into Li Yu's writings based on a broad examination of his corpus. Integrating insightful and innovative readings of Li Yu's creative works with his prescriptions on garden design and lengthy musings, Kile offers a new and productive approach to the study of Li Yu that can inspire other such innovative analyses of late imperial Chinese literature.--Robert Hegel, cotranslator of A Couple of Soles: A Comic Play from Seventeenth-Century China