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Home > Art, Film & Photography > Notes on the Cartoons of Raphael Now in the South Kensington Museum; And on Raphael's Other Work
Notes on the Cartoons of Raphael Now in the South Kensington Museum; And on Raphael's Other Work

Notes on the Cartoons of Raphael Now in the South Kensington Museum; And on Raphael's Other Work


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This historic book may have numerous typos, missing text or index. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1867. Not illustrated. Excerpt: ... chalk, and commenced the colouring in distemper to a certain extent, withdrew again, and left it for Raphael himself either to apply the last finishing touches, or to make such alterations and corrections as the unity of composition, or the harmony of colouring, would seem to require. It would be more than difficult to point out on the car-Raphael's own toons themselves how far Raphael's own hand is still discer-'worknible. Not only were these pupils most able artists themselves, but ill treatment and the unavoidable injuries of time have exercised their blended influences over the various touches, and it will be safest to limit one's-self to a general indication of those parts in which Raphael's hand appears to have left the most unmistakeable traces. Thus, the cartoon of the Miraculous Draught is admitted by nearly all connoisseurs to bear the clearest, testimony to Raphael's personal work, not only in the two principal groups in the boats, but also in those rather numerous minor figures on the distant shore of the lake. Perhaps Raphael intended that the execution of this first cartoon of the series, almost entirely done by himself, should serve his pupils as a guide and an example to be followed in the preparation of tho others. Again, the grand figures of Christ, St. Peter, and St. John, in the Charge to Peter, --the care-worn head of the cripple, and others, in the Apostles at the Beautiful Gate, --the most impressive compositions of the Death of Ananias or of St. Paul's Preaching at Athens, --place it beyond doubt that the master's own hand has been at work here, and still speaks to us from these sheets. Probably during the latter part of the year 1516 the car-Weaving at toons were forwarded to the famous looms at Arras in Flan-Arrasders, where the weaving mu


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Product Details
  • ISBN-13: 9780217625630
  • Publisher: General Books
  • Publisher Imprint: General Books
  • Height: 246 mm
  • No of Pages: 22
  • Spine Width: 1 mm
  • Width: 189 mm
  • ISBN-10: 0217625630
  • Publisher Date: 01 Jan 2012
  • Binding: Paperback
  • Language: English
  • Returnable: N
  • Weight: 59 gr


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Notes on the Cartoons of Raphael Now in the South Kensington Museum; And on Raphael's Other Work
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