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How to Colour a Photograph

How to Colour a Photograph


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About the Book

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1859 edition. Excerpt: ...choice of surrounding colours. As a rule, masses of positive colour should be avoided in the draperies, keeping them judiciously subdued. White lace, where it requires it, may be touched with Chinese white; but, as we have before said, the less watercolour used the better. Flowers may also at times be made effective by water-colours, or, better still, by oil-colours. Jewellery is often touched with the gold shell, but, unless carefully managed, it has a coarse, bedizened effect. We prefer water or oil colours if skilfully done, using orange chrome and burnt sienna for the shadows, and Naples yellow for the lights. BACKGROUNDS. The importance of a judiciously-managed background cannot be too highly estimated, and for want of care and judgment in this matter, many otherwise fine pictures are spoiled. It is stated that Sir Joshua Reynolds so highly appreciated the importance of the subject, that, although he frequently entrusted the filling-in of portions of his pictures to pupils, he never trusted a background to any pencil but his own. The primary object should be to give relief and prominence to the figure; but, in addition to this, a background frequently serves to connect and harmonise the whole colouring of the picture. A glass positive, with a clean untouched background, may sometimes be left uncoloured, and present a simple, unpretending effect; but it will have the disadvantage arising out of the tendency, well known to painters, which a flat plane of any uniform colour, especially if light and warm in tone, has to advance and obtrude itself upon the eye, and cause a want of atmosphere in the picture. The natural tint of the background in the photograph is of some importance to the colorist, as, without a suitable ground to work...


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Product Details
  • ISBN-13: 9780217416115
  • Publisher: Rarebooksclub.com
  • Publisher Imprint: Rarebooksclub.com
  • Height: 246 mm
  • No of Pages: 20
  • Spine Width: 1 mm
  • Width: 189 mm
  • ISBN-10: 021741611X
  • Publisher Date: 01 Oct 2012
  • Binding: Paperback
  • Language: English
  • Returnable: N
  • Weight: 54 gr


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