Piero della Francesca: Artist and Man

Largely neglected for the four centuries after his death, the fifteenth century Italian artist Piero della Francesca is now seen to embody the fullest expression of the Renaissance perspective painter, raising him to an artistic stature comparable with that of Leonardo da Vinci and Michelangelo. But who was Piero, and how did he become the person and artist that he was? Until now, in spite of the great interest in his work, these questions have remained largely unanswered. Piero della Francesca: Artist and Man puts that situation right, integrating the story of Piero's artistic and mathematical achievements with the full chronicle of his life for the first time. Fortified by the discovery of over one hundred previously unknown documents, most unearthed by the author himself, James R. Banker at last brings this fascinating Renaissance enigma to life. The book presents us with Piero's friends, family, and collaborators, all set against the social background of the various cities and courts in which he lived - from the Tuscan commune of Sansepolcro in which he grew up, to Renaissance Florence, Ferrara, Ancona, Rimini, Rome, Arezzo, and Urbino, and eventually back to his home town for the final years of his life. As Banker shows, the cultural contexts in which Piero lived are crucial for understanding both the man and his paintings. From early masterpieces such as the Baptism of Christ through to later, Flemish-influenced works such as the Nativity, we gain a fascinating insight into how Piero's art developed over time, alongside his growing achievements in geometry in the later decades of his life. Along the way, the book addresses some persistent myths about this apparently most elusive of artists. As well as establishing a convincing case to clear up the long controversy over the year of Piero's birth, there are also answers to some big questions about the date of some of his major works, and a persuasive new interpretation of the much-debated Flagellation of Christ. This book is for all those who wish to know about the development of Piero as man, artist, and scholar, rather than simply to see him through a series of isolated great works. What emerges is a thoroughly intriguing Renaissance individual, firmly embedded in his social milieu, but forging an historic identity through his profound artistic and mathematical achievements.

Table of Contents:
Introduction 1: Piero's Formation in Sansepolcro 2: Piero the Incessant Learner and Traveler, 1439-1450 3: Piero in the Court of Sigismondo Malatesta in Rimini 4: Piero in Arezzo: The Legend of the True Cross 5: The Confraternity and the Altarpiece of Madonna della Misericordia 6: Greek Geometry in Rome and Piero's Trattato d'abaco 7: Piero's Return to Patria and Family 8: An Arezzo Interlude 9: The Practice of Perspective: The Sant'Antonio and Sant'Agostino Altarpieces and the Flagellation 10: Piero della Francesca in Urbino in the Early 1470s 11: Piero in Sansepolcro, 1472-1475 12: Piero in Urbino in 1475-1476 13: The Persuasiveness of Paternal Authority, 1477-81 14: Piero in the Last Decade of His Life Conclusion Chronology of Piero's Life and Work Index

About the Author :
James R. Banker is professor emeritus of Italian history at North Carolina State University, and lives for most of the year in Florence and Sansepolcro. An expert on the life and works of Piero della Francesca and Sassetta, two artists closely associated with San Sepolcro, his research has emphasized the role of lay religion in the lives of early Renaissance Italians, and the role of patrons, lay and clerical, in the paintings of both Sassetta and Piero. Author of numerous articles on Renaissance themes, his books include Death in the Community: Memorialization and Confraternities in an Italian Commune and, most recently, The Culture of San Sepolcro During the Youth of Piero della Francesca (2003).

Review :
Thanks to Banker we have an enormously clearer idea of just how common it was for Renaissance people to stay connected and use their connections in new places and for new ventures. [A] remarkable biography ... This compact, clearly written book rescues Piero from the dangerous fate of being an enigma. A vitally important contribution to Piero studies. Banker's scholarship and research are impeccable and should be celebrated. Fascinating insight. making compelling claims about the dating of certain works, and offering a new interpretation of the enigmatic Flagellation of Christ. insightful This publication is beautifully produced and is a joy to read. a carefully argued, highly accessible volume ... [Banker] masterfully summarizes and analyzes the sometimes daunting art historical and technical scholarship on Piero's visual and written works, offering a compelling portrait of the artist and the world in which he lived. James R. Banker's magisterial study, Piero della Francesca: Artist and Man, represents a major contribution to the scholarship on this Renaissance painter and mathematician and has a grounded keel and quiet strength that is evocative of the timeless quality of Piero's paintings themselves ... Banker's study serves as the culmination of a lifetime of scholarly work that will be welcomed by serious readers looking for a detailed study of one of the most complex of Renaissance artists, Piero della Francesca.