The Oxford Handbook of Dance and Reenactment - Bookswagon UAE
close menu
Bookswagon
search
My Account
Book 1
Book 2
Book 3
Book 1
Book 2
Book 3
Book 1
Book 2
Book 3
Book 1
Book 2
Book 3
Home > Art, Film & Photography > General > Performing arts > Dance > The Oxford Handbook of Dance and Reenactment: (Oxford Handbooks)
The Oxford Handbook of Dance and Reenactment: (Oxford Handbooks)

The Oxford Handbook of Dance and Reenactment: (Oxford Handbooks)


     0     
5
4
3
2
1



International Edition


X
About the Book

The Oxford Handbook of Dance and Reenactment brings together a cross-section of artists and scholars engaged with the phenomenon of reenactment in dance from a practical and theoretical standpoint. Synthesizing myriad views on danced reenactment and the manner in which this branch of choreographic performance intersects with important cultural concerns around appropriation this Handbook addresses originality, plagiarism, historicity, and spatiality as it relates to cultural geography. Others topics treated include transmission as a heuristic device, the notion of the archive as it relates to dance and as it is frequently contrasted with embodied cultural memory, pedagogy, theory of history, reconstruction as a methodology, testimony and witnessing, theories of history as narrative and the impact of dance on modernist literature, and relations of reenactment to historical knowledge and new media.

Table of Contents:
Contents 1. Introduction: The Power of Recall in A Post-Ephemeral Era Mark Franko Phenomenology of the Archive 2. Tracing Sense/Reading Sensation: an essay on imprints and other matter Martin Nachbar 3. Giving Sense to the Past: Historical D(ist)ance and the Chiasmatic Interlacing of Affect and Knowledge Timmy de Laet 4. Martha@...The 1963 Interview - Sonic Bodies, Seizures and Spells Richard Move Historical Fiction and Historical Fact 5. Reenactment, Reconstruction and Dance Historical Fictions Anna Pakes 6. Bound and Unbound: Reconstructing Merce Cunningham's Crises (1960) Carrie Noland 7. The Motion of Memory, the Question of History. Recreating Rudolf Laban's Choreographic Legacy Susanne Franco Proleptic Iteration 8. To the Letter: Lettrism, Dance, Reenactment Frédéric Pouillaude 9. Letters to Lila and Dramaturg's Notes on Future Memory: Inheriting Dance's Alternative Histories Kate Elswit with Rani Nair Investigative Reenactment: Transmission as Heuristic Device 10. (Re)enacting Thinking in Movement Maaike Bleeker 11. Not Made by Hand, or Arm, or Leg: The Acheiropoietics of Performance Branislav Jakovljevic 12. Pedagogic In(ter)ventions: On the Potential of (Re)enacting Yvonne Rainer's Continuous Project-Altered Daily (1969/70) in a Dance Education Context Yvonne Hardt Enacting Testimony/Performing Cultural Memory/ Spectatorship as Practice 13. What Remains of the Witness? Testimony as Epistemological Category: Schlepping the Trace Susanne Foellmer 14. Baroque Relations: Performing Silver and Gold in Daniel Rabel's "Ballets of the Americas" VK Preston 15. Reenacting Ritual Dance-Theater of India: The case of Kaisika Natakam Ketu H. Katrak with Anita Ratnam 16. Gloriously Inept and Satisfyingly True: Reenactment and the Practice of Spectating P.A. Skantze The Politics of Reenactment 17. Blasting out of the Past: the Politics of History and Memory in Janez's Reconstructions Ramsay Burt 18. Reenactment as Racialized Scandal Anthea Kraut 19. Reenacting Modernist Time: William Kentridge's The Refusal of Time Christel Staelpart Redistributions of Time in Geography, Architecture, and Modernist Narrative 20. Quito-Brussels: A Dancer's Cultural Geography Fabián Barba 21. Dance and the Distributed Body: Odissi and Mahari Performance Anurima Banerji 22. Imagined Re-embodiment between Text and Dance Susan Jones Epistemologies of Inter-temporality 23. Affect, Technique, and Discourse: Being Actively Passive in the Face of History: Reconstruction of Reconstruction Gerald Siegmund 24. Epilogue to an Epilogue: Historicizing the Re- in Danced Reenactment Mark Franko 25. The Time of Reenactment in Basse Danse and Bassadanza Seeta Chaganti 26. Time Layers, Time Leaps, Time Lost. Methodologies of Dance Historiography Christina Thurner Reenactment in/as Global Knowledge Circulation 27. (In)distinct Positions: The Politics of Theorizing Choreography Jens Richard Giersdorf 28. Scenes of Reenactment/Logics of Derivation in Dance Randy Martin 29. A Proposition for Reenactment: Disco Angola by Stan Douglas Catherine M. Soussloff 30. Dance (Re)searching its Own History: On the Contemporary Circulation of Past Knowledge Sabine Huschka Afterword Notes After the Fact Lucia Ruprecht

About the Author :
Mark Franko, Laura H. Carnell Professor of Dance and Chair of Dance, Boyer College of Music and Dance (Temple University), has published six books: Martha Graham in Love and War: the Life in the Work; Excursion for Miracles: Paul Sanasardo, Donya Feuer, and Studio for Dance; The Work of Dance: Labor, Movement, and Identity in the 1930s; Dancing Modernism/Performing Politics; Dance as Text: Ideologies of the Baroque Body; The Dancing Body in Renaissance Choreography. Franko was editor of Dance Research Journal, edited Ritual and Event: Interdisciplinary Perspectives, co-editor of Acting on the Past: Historical Performance Across the Disciplines; and, founding editor of the Oxford Studies in Dance Theory book series. He is recipient of the 2011 Outstanding Scholarly Research in Dance Award from the Congress in Research in Dance. Choreograping Discourses: A Mark Franko Reader (edited with Alessandra Nicifero) is forthcoing at Routledge.

Review :
"Overall, this volume provides an invaluable platform for profound engagement with a complex layering of possibilities and experiments in which documentary and remembered evidence of past dances dialogues with the reality of present-day corporeality." -- Dance Research


Best Sellers


Product Details
  • ISBN-13: 9780199314201
  • Publisher: Oxford University Press Inc
  • Publisher Imprint: Oxford University Press Inc
  • Height: 168 mm
  • No of Pages: 680
  • Series Title: Oxford Handbooks
  • Weight: 1202 gr
  • ISBN-10: 0199314209
  • Publisher Date: 08 Feb 2018
  • Binding: Hardback
  • Language: English
  • Returnable: Y
  • Spine Width: 46 mm
  • Width: 249 mm


Similar Products

Add Photo
Add Photo

Customer Reviews

REVIEWS      0     
Click Here To Be The First to Review this Product
The Oxford Handbook of Dance and Reenactment: (Oxford Handbooks)
Oxford University Press Inc -
The Oxford Handbook of Dance and Reenactment: (Oxford Handbooks)
Writing guidlines
We want to publish your review, so please:
  • keep your review on the product. Review's that defame author's character will be rejected.
  • Keep your review focused on the product.
  • Avoid writing about customer service. contact us instead if you have issue requiring immediate attention.
  • Refrain from mentioning competitors or the specific price you paid for the product.
  • Do not include any personally identifiable information, such as full names.

The Oxford Handbook of Dance and Reenactment: (Oxford Handbooks)

Required fields are marked with *

Review Title*
Review
    Add Photo Add up to 6 photos
    Would you recommend this product to a friend?
    Tag this Book Read more
    Does your review contain spoilers?
    What type of reader best describes you?
    I agree to the terms & conditions
    You may receive emails regarding this submission. Any emails will include the ability to opt-out of future communications.

    CUSTOMER RATINGS AND REVIEWS AND QUESTIONS AND ANSWERS TERMS OF USE

    These Terms of Use govern your conduct associated with the Customer Ratings and Reviews and/or Questions and Answers service offered by Bookswagon (the "CRR Service").


    By submitting any content to Bookswagon, you guarantee that:
    • You are the sole author and owner of the intellectual property rights in the content;
    • All "moral rights" that you may have in such content have been voluntarily waived by you;
    • All content that you post is accurate;
    • You are at least 13 years old;
    • Use of the content you supply does not violate these Terms of Use and will not cause injury to any person or entity.
    You further agree that you may not submit any content:
    • That is known by you to be false, inaccurate or misleading;
    • That infringes any third party's copyright, patent, trademark, trade secret or other proprietary rights or rights of publicity or privacy;
    • That violates any law, statute, ordinance or regulation (including, but not limited to, those governing, consumer protection, unfair competition, anti-discrimination or false advertising);
    • That is, or may reasonably be considered to be, defamatory, libelous, hateful, racially or religiously biased or offensive, unlawfully threatening or unlawfully harassing to any individual, partnership or corporation;
    • For which you were compensated or granted any consideration by any unapproved third party;
    • That includes any information that references other websites, addresses, email addresses, contact information or phone numbers;
    • That contains any computer viruses, worms or other potentially damaging computer programs or files.
    You agree to indemnify and hold Bookswagon (and its officers, directors, agents, subsidiaries, joint ventures, employees and third-party service providers, including but not limited to Bazaarvoice, Inc.), harmless from all claims, demands, and damages (actual and consequential) of every kind and nature, known and unknown including reasonable attorneys' fees, arising out of a breach of your representations and warranties set forth above, or your violation of any law or the rights of a third party.


    For any content that you submit, you grant Bookswagon a perpetual, irrevocable, royalty-free, transferable right and license to use, copy, modify, delete in its entirety, adapt, publish, translate, create derivative works from and/or sell, transfer, and/or distribute such content and/or incorporate such content into any form, medium or technology throughout the world without compensation to you. Additionally,  Bookswagon may transfer or share any personal information that you submit with its third-party service providers, including but not limited to Bazaarvoice, Inc. in accordance with  Privacy Policy


    All content that you submit may be used at Bookswagon's sole discretion. Bookswagon reserves the right to change, condense, withhold publication, remove or delete any content on Bookswagon's website that Bookswagon deems, in its sole discretion, to violate the content guidelines or any other provision of these Terms of Use.  Bookswagon does not guarantee that you will have any recourse through Bookswagon to edit or delete any content you have submitted. Ratings and written comments are generally posted within two to four business days. However, Bookswagon reserves the right to remove or to refuse to post any submission to the extent authorized by law. You acknowledge that you, not Bookswagon, are responsible for the contents of your submission. None of the content that you submit shall be subject to any obligation of confidence on the part of Bookswagon, its agents, subsidiaries, affiliates, partners or third party service providers (including but not limited to Bazaarvoice, Inc.)and their respective directors, officers and employees.

    Accept


    Inspired by your browsing history


    Your review has been submitted!

    You've already reviewed this product!
    Your IP: 216.73.216.150 IN