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Home > Religion, Philosophy & Sprituality > Philosophy > Topics in philosophy > Aesthetics > Themes in the Philosophy of Music
Themes in the Philosophy of Music

Themes in the Philosophy of Music


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About the Book

Representing Stephen Davies's best shorter writings, these essays outline developments within the philosophy of music over the last two decades, and summarize the state of play at the beginning of a new century. Including two new and previously unpublished pieces, they address both perennial questions and contemporary controversies, such as that over the 'authentic performance' movement, and the impact of modern technology on the presentation and reception of musical works. Rather than attempting to reduce musical works to a single type, Davies recognizes a great variety of kinds, and a complementary range of possibilities for their rendition.Among the questions that Davies considers are these: How can expressiveness be in a musical work when music experiences nothing? Is music a language of the emotions? How do recorded pop songs and purely electronic pieces differ from works created for live performance? Is John Cage's silent piece, 4'33", music? To what extent is the performer free to create her own interpretation and to what extent is she constrained by the composer's score? Is training in musical technicalities a prerequisite for a full appreciation of musical works and performances? Is an awareness of the socio-historical setting in which a work is created relevant to its appreciation? How does the value of individual musical works go beyond the worth of an interest in music in general?Stimulating and insightful both as individual discussions and as a coherent argument, these essays will be greatly enjoyed by philosophers, aestheticians, art theorists, and musicologists.

Table of Contents:
Introduction ONTOLOGY 1: John Cage's 4'33. Is it Music? 2: Ontologies of Musical Works 3: Transcription, Authenticity, and Performance 4: The Ontology of Musical Works and the Authenticity of their Performances PERFORMANCE 5: Authenticity in Musical Performance 6: So, You Want to Sing with the Beatles? Too Late! 7: What is the Sound of One Piano Plummeting? EXPRESSION 8: The Expression of Emotion in Music 9: Is Music a Language of the Emotions? 10: Contra the Hypothetical Persona in Music 11: Philosophical Perspectives on Music's Expressiveness APPRECIATION 12: The Evaluation of Music 13: Musical Understandings and Musical Kinds 14: Attributing Significance to Unobvious Musical Relationships 15: The Multiple Interpretability of Musical Works

About the Author :
Stephen Davies teaches philosophy at the University of Auckland. His primary research interest is in the philosophy of art, especially music.

Review :
For those who are already familiar with the combination of argumentative power, conceptual clarity, and humane depth represented by Stephen Davies' writings on music, their high expectations will be handsomely fulfilled by this collection of essays composed between 1980 and 2002. For those who do not know of Davies' work, this collection offers a fine way to become familiar with his writing on the subject. The volume collects pieces ranging over and -- for the most part -- intricately through, issues of musical ontology, performance, expression, and appreciation. Throughout these inquiries Davies shows, as in his earlier work, that he is particularly adept at sorting out the structure of a debate, presenting positions on all sides and providing the reader with a perspicuous overview of the state of play Garry L. Hagberg, Notre Dame Philosophical Reviews a collection of important and well-known essays by an nfluential philosopher of music ... Davies is fascinating on his home turf, which is the analytic philosophy of the musical arts, and those who are tempted by or subscribe to this worldview should invest in this book immediately. British Journal of Aesthetics


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Product Details
  • ISBN-13: 9780199241576
  • Publisher: Oxford University Press
  • Binding: Hardback
  • Language: English
  • Returnable: N
  • Weight: 609 gr
  • ISBN-10: 0199241570
  • Publisher Date: 02 Jan 2003
  • Height: 242 mm
  • No of Pages: 292
  • Spine Width: 21 mm
  • Width: 162 mm


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