World Musics in Context

This book contains a wide-ranging survey of musics of the world, in historical and social contexts, from ancient times to the present day. It starts by describing aspects of musical style and function in relation to the early developments of civilisations, as background to a study of later transformations. It then describes, in some detail, musical traditions of Africa and Asia, in relation to history/geography and to other aspects of culture. European music is subsequently treated similarly, and in relation to music-cultures elsewhere. A further section examines the consequences of Europe's appropriation of the Americas, and describes popular musical styles in both Latin America and the USA. The final section considers the nature of tradition and change, examines some African and Asian musical styles in their colonial and post-colonial contexts, and considers, in broad historical perspective, the effects of Westernisation. A concluding essay examines the consequences for the West of global Westernisation, and of increasing cultural interchange. The book includes a Foreword by Laurence Picken, an essay that presents a unique view of music and ethnomusicology by one of the most distinguished scientists and musicologists of our time.In part a compendium of information currently available, in part a dialectical examination of musical causation and function, this book aims to lead students, teachers, and those who practise Western music towards a deeper understanding of the various musical traditions that contribute to the modern, multi-cultural environment. The author's aim throughout has been to achieve clarity in the writing and to make the book accessible to those with no training in ethnomusicology.

Table of Contents:
Foreword by Laurence Picken Introduction Par 1: Genesis 1: Elemental Features of Music 2: Aspects of Civilization 3: Early Oligarchies in Mesopotamia and Egypt 4: Diverging Traditions (1): South and Central Asia 5: Diverging Traditions (2): Europe Part 2: Traditional Musics of Africa and Asia 6: Africa 7: West Asia 8: The Indian Subcontinent 9: South East Asia 10: East Asia Part 3: Europe 11: New Horizons 12: Enlightenment 13: Disentegration Part 4: The New World 14: Cultural Mix in Latin America 15: Europeans in the United States 16: Africans in the United States Part 5: The Modern World 17: Tradition and Change 18: Westernisation and National Musical Identity in Africa and Asia 19: The Postmodern West Bibliography Index

About the Author :
Fletcher has held the posts of Professor and Head of Muisc at Dalhousie University, Canada, and Principal of the Welsh College of Music and Drama, Cardiff, Wales. Has been visiting Fellow of Hong Kong University and during the academic year 1992-3 was Dean of Music at the Hong Kong Academy of Performing Arts.

Review :
The readable style of Peter Fletcher's World Musics in Context [makes] it accessible to the general reader. Classical Music Substantial ... a labour of love ... Fletcher provides some stimulating examples and original observations during the course of his discussion. the world of music This monumental landmark of a musical study ... Fletcher writes with an extraordinary objectivity with regard to every culture he approaches, and manages to display a deep respect for and understanding of the cultures and the music makers ... This book is an epic in sociomusicology. Classical Music The scope is impressive ... He [Fletcher] provides as illuminating, clear and well-written introduction as any to the musics of the Indian subcontinent, South and East Asia, China and Latin America, among others ... The book's unconventional narrative is undoubtedly stimulating. Times Higher Education Supplement Wide-ranging ... should prove useful to generations of students seeking a wide-ranging look at the field, as well as to a more general readership. Times Higher Education Supplement Perverse, provocative, and remarkably stimulating ... With its politically acerbic commentaries, and its delightful dips into music's exotic by-ways, this book deserves to be read for a long time to come. Michael Church, Financial Times A monumental work and a very ambitious undertaking for a single author. Josef Pacholczk, Professor of Musicology, University of Maryland