Cinema, MD: A History of Medicine On Screen

Cinema, MD follows the intersection of medicine and film and how filmmakers wrote a history of medicine over time. The narrative follows several main story lines: How did the portrayal of physicians, nurses, and medical institutions change over the years? What interested filmmakers, and which topics had priority? What does film's obsession with experiments and monstrosities reveal about medical ethics and malpractice? How could the public's perception of the medical profession change when watching these films on diseases and treatments, including palliative care and medical ethics? Are screenwriters, actors, and film directors channeling a popular view of medicine? Cinema, MD analyzes not only changing practices, changing morals, and changing expectations but also medical stereotypes, medical activism, and violations of patients' integrity and autonomy. Examining over 400 films with medical themes over a century of cinema, this book establishes the cultural, medical, and historical importance of the art form. Film allows us to see our humanity, our frailty, and our dependence when illness strikes. Cinema, MD provides uniquely new and fascinating insight into both film criticism and the history of medicine and has a resonance to the medical world we live in today.

Table of Contents:
PREFACE CHAPTER 1: THE PHYSICIAN IN PRACTICE: SUPREMECY, MD Acting the Part The Early Celluloid Doctor The Specialist in Film Cinematic Identities It Is All About Surgeons, Isn't It? Portraying Compassion CHAPTER 2: THE NURSING PROFESSION: STEREOTYPE, RN Pioneers Innovative Caregivers Cut from a Different Cloth The Nurse (and often the Doctor) Chauvinistic Tropes And Then There Was Nurse Ratched CHAPTER 3: HOSPITAL AND ASYLUM: CROWDED AND INSANE LIVING The Hospital Room Bricks and Mortar Not all Hospitals are the Same The Asylum Haunting places Abysmal places CHAPTER 4: EPIDEMICS: KILLERS AND CRIPPLERS Infections through History Tragic Misfortunes Killer Outbreaks and Other Fantasies The 20th Century Epidemics Poliomyelitis on Screen AIDS on Screen CHAPTER 5: DISEASED AND DISABLED: A LANDSCAPE OF SUFFERING Diseases in Cinema How Much Time Do I Have, Doctor? Senses Lost Unable To See Unable To Hear Unable To Feel Unable To Taste Aging and Frailty An Erasing Mind CHAPTER 6: MENTAL ILLNESS: CRAZED, HISSY FITS AND A COUCH Weimar Kino and Dr Caligari When Freud and Psychoanalysis Came Along Cinematic Psychopathology Labelling Personalities Wired Differently Maniacal and Murderous War and Wounded without Wounds A Crazy Side Effect Socially Awkward Wired Differently CHAPTER 7: ADDICTED: THE LAST LEGAL DRUGS Live By Example To the Brim Smooth Smoking From Den to Hospital to Street CHAPTER 8: TRANSPLANTATION: A SECOND CHANCE Stumbling and Rejecting Transplantation Horror Transplantation Foibles Who Receives? Who Matches? Metal to Flesh Transplantation with Love CHAPTER 9: DEATH AND DYING: GOOD, BAD AND ASSISTED The Good Death The Bad Death The Assisted Death Posthumous The Morgue Left Behind in Grief CHAPTER 10: MEDICAL VIOLATIONS:A LINE CROSSED Cinema of Nazi Physicians Forced Sterilization The Tuskegee Study Vivisection Lobotomy Psychological Experiments CHAPTER 11: GROTESQUES: UNWANTED AND ABANDONED Exhibit the Revolting Misshapen An Odd Face The Elephant Man The Neurology of Frankenstein's Creature CHAPTER 12: ACTIVISM AND MEDICINE: ANGERED AND AGGRAVATED Woeful Healthcare First Do No Harm?- an American Story First Do No Harm? -a British Story AIDS Activism Big Pharma The Abortion Debate The Vaccination Debate CHAPTER 13: EPILOGUE: MEDICINE IN CINEMA THROUGH THE AGES Themes and Tropes Defining Decades That's Not All, Folks Closing Credits FILMOGRAPHY GLOSSARY OF MEDICAL TERMS

About the Author :
Eelco Wijdicks is Professor of Neurology at Mayo Clinic College of Medicine, Rochester Minnesota, and Associate Professor of the History of Medicine. He has written on film in Neurology, JAMA Neurology, Neurology Today, The Lancet Neurology and Mayo Clinic Proceedings. His book Neurocinema: When Film Meets Neurology was published in 2015.

Review :
"The book provides a valuable source of academic information for historians and all those healthcare professionals interested in film." -- Anjna Harrar , British Society for the History of Medicine "This book is fascinating and outstanding and makes an excellent example of the crucial role that the medical humanities have in educating the public on medical issues. Likewise, it neatly underscores the vital role that cinema plays in shaping public views of the medical practice." -- Raquel Medina, PhD, Aston University, Social History of Medicine "This is a unique piece in the current panorama of medico-historical literature, not only by its topic, but by its approach of going beyond first-degree reading of the movies, its investigation of the rationale of the realizations and ways directors created their scripts and conceived their actors, and also the modes of interpretation of the movies and by the cast. It is a dissection of movie images penetrated into the body of society and its mental image of medicine-the image of an image. A very interesting project!" -- Alain Touwaide, PhD (The Huntington), Doody's "A big, sweeping survey of the films that throughout the history of the cinema have touched on diseases and afflictions, every imaginable medical trope and theme, from silents to modern times, classic titles as well as forgotten rarities, with fascinating nuggets of research and intelligent commentary sprinkled throughout a text that is never less than lively." -- Patrick McGilligan, author of Alfred Hitchcock: A Life in Darkness and Light "How does medicine look through the lens of filmmakers? CINEMA, MD explores the many links between the art of film and the art of medicine in an entertaining and easy-to-grasp way. For an audience of millions, movies have strongly established optical and social images of doctors and diseases, emergencies and epidemics, magical interventions and malpractice. In 13 thematic chapters, this remarkable book reviews more than 400 carefully selected fiction films and documentaries from the silent era up to the present. The reader can expect a unique, well documented and fascinating dialogue between a cinematic view of medical progress and historical interpretation of the healing art. In short: A must-have for health professionals and students interested in medical humanities, media scholars and critics." --Axel Karenberg, MD, PhD, Professor at the Institute for the History of Medicine and Medical Ethics, University of Cologne, Cologne, Germany "Clearly a labor of love, Dr. Wijdicks' engaging study of the complex representations of medicine in the cinema both enlightens and entertains. Although doctors generally score well in polls of public trust, film directors do not always agree. This volume tackles the heroic doctor but also more sinister practitioners, including a powerful section on the Nazi period. It invites its readers to view films actively and offers the critical tools to undertake this stimulating exercise." --William F. Bynum, PhD, FRCP, Author and Historian of Medicine and Science "Dr. Wijdicks has produced an incredibly wide ranging and thought-provoking analysis of the ways in which medicine and been used and abused on the silver screen since the dawn of cinema. From the rise and fall of the once God like surgeon, to cinematic treatments of death and dying, movies both inform and reflect contemporary thinking. With the careful selection of films to illustrate each chapter, Wijdicks provides a witty and fascinating insight into the ways in which medicine has shaped society over the past 100 years." --Sallie Baxendale, PhD, FBPS, Consultant Neuropsychologist, Department of Clinical and Experimental Epilepsy, Institute of Neurology, University College London, England